!['Eden' Review: Solid Performances Elevate Ron Howard's Dark Drama [TIFF 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1726445933708-GSZEY38IV4EAFBTW8HKL/Eden-First-Look-02.jpg)
Ron Howard’s latest feature, 'Eden' sees the Oscar winning director helm his darkest film in this star studded true story about island survival filled with tension, camp and lots of pretty faces. [TIFF 24]
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!['The Last Showgirl' Review: Aging Femininity Under the Vegas Lights [TIFF 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1725884872472-RFXON02CD8651VTZNH4Z/Last-Showgirl_01.jpg)
'The Last Showgirl' is a floating dream of colors and sequences framing interactions between troubled and frustrated characters. It gives the audience a well-paced glimpse into a unique perspective of age and beauty and the sacrifices made to achieve what may not be worth it at all. [TIFF 24]
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While 'His Three Daughters' contains strong performances from its trio of lead actresses, writer/director Azazel Jacobs puts them in cyclical situations that never fully forms an emotional center with the event they’re going through.
Read More![‘Hunting Daze’ Review: Ricci Gives one of the Year’s Best Performances in Surreal Thriller [Fantasia 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1723147220305-7XS02F5EDHO66S8GZLYD/Hunting_Daze_01.jpg)
Nahéma Ricci gives another towering lead performance in Annick Blanc’s ‘Hunting Daze’, an often surreal thriller that, while terrifically intriguing, loses itself in its second half.
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Sean Wang’s feature directorial debut, 'Dìdi' (弟弟), is a poignant, often painful coming-of-age tale that anyone can relate to, with a towering lead turn from Izaac Wang.
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Colman Domingo cements himself as one of the best actors working today through his deeply moving portrayal of John ‘Divine G’ Whitfield in Greg Kwedar’s 'Sing Sing'.
Read More![‘Go For Grandma’ Review: An Endearing Fantasy Short [Seattle Film Festival 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1a841994-2c15-4c31-a83b-a7de36409f9b/Photo+4+20_001+%281%29.jpg)
Sabrina Doyle’s short film ‘Go For Grandma’, which won the Grand Jury Award Best Short Film at the Seattle Film Festival, along with several other accolades, explores the subject of childhood trauma through the abuse caused by constant neglect and deflection.
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Thelma is a triumph which any filmmaker would be proud of, made all the more remarkable by the fact that this is director Josh Margolin’s feature film debut but also seeing June Squibb get a chance to play her first leading role at age 94.
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Lily Gladstone continues to prove why they’re one of the best actors working today in ‘Fancy Dance’, a deeply moving and compassionate character drama.
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While ‘The Bikeriders’ is competently photographed, director Jeff Nichols seems too busy riffing on Martin Scorsese’s ‘Goodfellas’ than craft a compelling character drama.
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Zendaya gives the best performance of her career in Luca Guadagnino’s ‘Challengers’, an electrifying sports drama with dazzling bravura tennis sequences that beg the trip to the IMAX theater.
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Fittingly, for a movie about a journey towards a well-known and even cliched destination, ‘Hard Miles’ follows the formula to the expected end. But just like with the Grand Canyon, just because the end is predictable doesn’t mean it’s without merit.
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While ‘The Old Oak’ isn’t as powerful as Ken Loach’s previous two films, its lead performances from Dave Turner and Ebla Mari intensify its dramatic impact and result in a must-see.
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With a magisterial lead performance from Deniz Celiloğlu and an ever-gripping visual style, Nuri Bilge Ceylan’s 197-minute ‘About Dry Grasses’ may be the best film of his career.
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‘Love Lies Bleeding’ knows exactly what it is doing, even if the audience won’t predict where the story goes. The filmmakers make bold swings, whether through the film’s story, its performances, or its imagery, which creates a film that could only be described as ‘fearless’.
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‘Arthur the King’ is arguably the best and most emotional film of the year - a true story about a dog’s resilience, pain, inspiration, life and belief as he goes from abuse and fighting for his life, to finding a family through the roughest conditions that the environment tends to throw at him.
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Perhaps just when we needed a film like this, enter Netflix’s Spaceman - a deceivingly simple drama that does more than drink and dribble. Questions of love, time and space, and redemption float aimlessly among the cinematic stars, away from a grounded Adam Sandler who may have just delivered his best performance yet.
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Nikolaj Arcel’s ‘The Promised Land ‘ contains one of Mads Mikkelsen’s greatest performances inside an old-school, but always riveting, character drama.
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While ‘The Kitchen’s sociopolitical underpinnings could’ve used more meat around the bone, its technical direction from Daniel Kaluuya coupled with lead performances from Kane Robinson and Jedediah Bannerman make it a worthwhile watch.
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It’s clear what director Martin Scorsese wanted to do with ‘Killers of the Flower Moon’. The film makes audiences privy to the cold-blooded conversations between the men who murdered dozens in the name of single-minded greed, which makes it an important story to tell.
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