Writer/Director John Krasinski proves the ‘Quiet Place’ films weren’t a fluke with yet another winner in ‘If’, a deeply heartfelt, highly entertaining family film that is sure to win over both younger and older audiences.
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Radio Silence has another twisted tale for audiences with ‘Abigail’, a new horror comedy that is destined for everyone’s yearly spooky-season movie rotation.
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The new team of Ghostbusters has returned to the silver screen to rid New York city of more paranormal entities in ‘Ghostbusters: Frozen Empire’, an entertaining follow-up not without its issues.
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‘Love Lies Bleeding’ knows exactly what it is doing, even if the audience won’t predict where the story goes. The filmmakers make bold swings, whether through the film’s story, its performances, or its imagery, which creates a film that could only be described as ‘fearless’.
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Insanely comedic performances elevate the insanely impressive stunt masterclass of ‘The Fall Guy’ to the point of… well, insanity. Continue for our full SPOILER-FREE review.
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SNL alum Kyle Mooney brings a 90’s teen disaster high-school comedy that is pretty rad… I guess. Continue for our full review exclusively from the 2024 SXSW Film Festival.
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‘Kung Fu Panda 4’ is a great addition to the beloved franchise, providing a balanced mix of entertainment and emotional depth. With the engaging plot and captivating visuals, this movie is an unforgettable journey that will leave the audience in awe.
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Fresh off the premiere at SXSW 2024, ‘Road House’ is entertaining in spite of a weak script that could have derailed the entire movie if not for great fight sequences and the unbridled chaos that is the films conclusion. Continue for our full SPOILER-FREE review.
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Amazon does it again with yet another comedic ride in ‘Ricky Stanicky’ - A movie filled with endless laughter, ribald jokes and an excellent supporting cast.
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‘Drive-Away Dolls’ if nothing else, is a mindless B movie through and through. That’s not a bad thing in and of itself, but it will surely polarize audiences. Yet, considering that the film was made in the 2020s, is set in the 90s, and boasts a style which evokes the 70s, it achieves a level of kitsch that is rarely reached.
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Just in time for Valentine’s Day, director Zelda Williams has brought audiences ‘Lisa Frankenstein’, a quirky, charming throwback that is destined for cult classic status.
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While ‘The Book of Clarence’ boasts great lead performances and a terrific sense of style, its thematic underpinnings through its theological setting are all surface-level, unafraid to question anything it unevenly presents.
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We’ve seen a few recognizable rom-com hits in the last few years, but the genre has undoubtedly taken a dive in both production and popularity since its heyday. Anyone But You, in spite of some worrying habits, turns the corner for the genre, and ends up checking all the boxes.
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Jeffrey Wright delivers the best performance of his career in Cord Jefferson’s ‘American Fiction’, which draws a timely satire on our politically correct-driven era.
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Timothee Chalamet steps into the hat of the iconic chocolate maker in ‘Wonka’, a prequel that manages to charm and warm your heart in equal measure.
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“How the Gringo Stole Christmas” my have some bemoan the film for refusing to give up tired stereotypes, while others will enjoy the familiarity and appreciate the flashes of originality. It’s certainly worth giving a try if you fall in the latter category, especially around Christmas.
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The concept is simple -‘The Holdovers’ takes three distinct characters and throws them together so they can learn from each other. There is no magical happy ending, no false note, or easy resolution either: the story is realistic and bittersweet from start to finish, which creates a strange and relatable realism with the story.
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‘Dicks: The Musical’ will garner one of two reactions: you’ll love or hate it. Anyone can spot the flaws in its drawn-out running gags and rudimentary aesthetic, but that still doesn’t stop the movie from being one hell of a fantastic time.
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Kristoffer Borgli’s ‘Dream Scenario’ is without a doubt one of the best films at the 2023 edition of the Toronto International Film Festival. The script and direction are perfectly woven together and a fully locked in Nick Cage absolutely brings this film together and makes it an incredible experience.
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‘Fallen Leaves’ is tender and sweet, despite some dark themes that surround the main characters both personally and in the world around them. With an achingly short runtime of 81 minutes, this deadpan tragicomedy shouldn’t be missed.
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