Even with more than thirty years of industry experience and over 80 credits to his name, John Powell still finds himself learning new things and tackling unique challenges. The composer found himself at a creative impasse with his first ever documentary ‘STILL: A Michael J. Fox Movie’.
Read MoreComposer Brian McOmber is responsible for the music behind the tension-filled Fair Play., and he’s no stranger to the world of indie film. The workhorse musician has three films at Sundance this festival, but he took some time off his busy schedule to speak to FilmSpeak about his banner year.
Read MoreComposer Heather McIntosh sits with FilmSpeak to discuss her latest project - the score of Susanna Fogel’s Cat Person. The film shares its name with his inspiration: a short story from 2017 that went viral that spurred a conversation about modern dating, sex, and romance.
Read MoreIn an exclusive interview with FilmSpeak, composer Ryan Rumery describes getting in touch with his rural roots to help spread awareness about the nation’s food crisis in his latest film Food and Country.
Read MoreSimply put, the sound of Guillermo del Torro’s ‘Nightmare Alley’ is exquisite. In an exclusive interview with FilmSpeak, composer Nathan Johnson (Knives Out) who scored the film ,explains that the first time he watched it with no music he had already known it was a “masterpiece.”
Read MoreIn anticipation of Netflix’s ‘Gunpowder Milkshake’, composer Haim Frank Ilfman sat down with FilmSpeak to discuss where the idea for the sound came from, his relationship with longtime collaborator and director Navot Papushado, and his possible involvement in the film's already announced sequel.
Read MoreComposing films had always been a dream for Belgian Musician Peter Baert, and his journey to the big screen is as whimsical as the film he recently completed, ‘The Water Man’; the directorial-debut of Oscar-winning-actor David Oyelowo.
Read MoreWe had the wonderful chance to speak with Yu Fei about the music of The Eight Hundred. Together with an internationally formed team including composers Andrew Kawczynski and Rupert Gregson-Williams, the trio designed and crafted the melodies of the film. It is a score that has several global inspirations, and one which its creators tried to straddle the line between ancient and modern.
Read MoreThe September 4th release of “I’m Thinking of Ending Things” marks Charlie Kaufman’s 3rd film and his first collaboration with film composer and all-around chill dude, Jay Wadley.
Read MoreComposer Michael Yezerski sits down with FilmSpeak to discuss scoring David Ayer’s “The Tax Collector” and what he describes as “seat of your pants scoring”.
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