‘Beware Boiúna’ aims to bring back back some nineties nostalgia with thrills and chills. However, this creature feature forgets to have any fun with its inherently silly premise.
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Tom Cruise sets his sights on Oscar gold with ‘Digger’, a timely, wildly ambitious and bold swing that is a thunderous wake up call as much as it is a deeply entertaining, potent social satire.
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‘Big Girls Don’t Cry’ is a sidestepping melodrama in a way that Kiwi films do so effortlessly. It is an unflinching and uncompromising slice-of-life story about a teenage girl’s desire to be seen.
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Robert Pattinson steps into the slippery skin of Chris Hansen in A24’s ‘Primetime’, a riveting, filthy and hypnotic character study that has firmly entered the awards conversation.
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Mahershala Ali and director Bassam Tariq team up for Amazon’s ‘Your Mother Your Mother Your Mother’, a soulful and visceral knockout with a sharp blade and plenty on its mind.
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After collaborating on the war epic ‘Fury’, director David Ayer and star Brad Pitt have reunited for the new survival film ‘Heart of the Beast, a fiercely gripping and emotionally compelling tale of companionship put to the test.
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Amazon continues to usher in the renaissance of the rom-com with their latest feature ‘The Love Hypothesis’, an adaptation of Ali Hazelwood’s beloved novel that may not re-invent the wheel, but is exceedingly charming nonetheless.
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‘The Debut’ is further proof of Jesse Eisenberg as a major filmmaking talent. This is his biggest film to date and it really excels in its more showy, grandiose moments, yet never loses sight of grounding itself in a sense of tangibility
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Beyond the use of AI slop, Danny Boyle’s ‘Ink’ does little to interrogate the figures at the heart of his indictment of tabloid journalism.
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‘Shaun the Sheep: The Beast of Mossy Bottom’ is so kinetic, visually inventive and flat-out earnest, which is a testament to the incredible claymation filmmaking and comedic instincts of Aardman’s unrivalled animation teams.
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Dreamworks is back with ‘Forgotten island’, a zany, wildly entertaining and heartfelt family adventure that continues to showcase a wonderful evolution for the beloved animation studio.
Read More!['Possible Love' Review: An Intricate Poem of Love, Loss, and Disparity [TIFF 2026]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1789701065426-GZ6JZWIA9RTMFGANO2JX/PossibleLove.jpg)
‘Possible Love’ may be one of Lee’s strongest relationship studies, exploring the dynamics between two couples living vastly different lives. Beyond relationship quirks and connections, Lee paints a picture of how circumstance and class shapes who we are and how we navigate our bonds with others.
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Mike Leigh, one of our modern greats, leaves us with a incredibly personal and aptly tender farewell film in ‘Tender Loving Care’.
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Writer/director Zach Cregger is back with ‘Resident Evil’, a relentlessly entertaining, pulse-pounding thrill ride that should not only please passionate fans of the beloved video game series, but the uninitiated as well.
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Despite impassioned performances by Penélope Cruz and Javier Bardem, Florian Zeller has proven incapable of making thought-provoking films as his flop streak continues with ‘Bunker’.
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Director Peter Farrelly decides to tell the underdog story behind the underdog story in a heartwarming, albeit low-stakes award contender, ‘I Play Rocky’.
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Someone, someday, and honestly maybe they already have, will tell a good story and execute a good film surrounding this premise. Unfortunately, ‘Paradise Lost’ is not that film.
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Director Rachel Morrison’s sophomore outing, ‘Love Of Your Life’ retains the emotional sensibilities of her knockout debut, albeit in a somewhat dull story.
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‘Furies’ promises to be a ride that is at its core a story with a loud thumping heartbeat that is sure to win viewers over.
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Despite pushing a sweet message and starring the unquestionably talented Chase Infiniti, ‘The Julia Set’ falls flat, overladen with common academic clichés and cartoonish characterizations.
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