“My happy place seems to be the fusing of the organic stuff and the electronic stuff.” “There’s just such mutual respect with the two of us that we can really do some cool, weird stuff together.”
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Director Sam Feder discusses transgender representation in media with the new documentary, DISCLOSURE.
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The Marksman is a new action thriller starring Liam Neeson and Katheryn Winnick that follows a retired U.S. Marine named Jim (Neeson) living on a ranch in an Arizona border town who becomes the unlikely guardian of a young boy escaping a Mexican drug cartel. Jim must take the boy on a cross-country road trip to the only family he has left in Chicago with both the cartel and law enforcement in pursuit.
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LIFE IN A YEAR director Mitja Okorn talks love, loss, and music videos.
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Shadow in the Cloud writer and director Roseanne Liang discusses the process behind harnessing her action and genre film influences while crafting a unique and memorable thriller of her own, as well as why acknowledging and enriching New Zealand’s cinematic contributions within her own work is important to her.
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MANK star Ferdinand Kingsley discusses his Shakespearean training, working with David Fincher, and 1930s Hollywood.
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Two-time Emmy award nominee Jeremy Turner discusses composing music for MARVEL 616 on Disney+.
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Much more than Fresh Prince’s Aunt Viv, Daphne is a pioneer in Entertainment and Social Justice, and yet never accepts the ‘pioneer’ title.
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THE QUEEN’S GAMBIT composer Carlos Rafael Rivera talks collaboration with Scott Frank, the influence of classical music, and finding the beats in a scene.
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The quadruple-threat talks writing and acting in TED LASSO and his inspiration for creating SOULMATES.
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We had the wonderful chance to speak with Yu Fei about the music of The Eight Hundred. Together with an internationally formed team including composers Andrew Kawczynski and Rupert Gregson-Williams, the trio designed and crafted the melodies of the film. It is a score that has several global inspirations, and one which its creators tried to straddle the line between ancient and modern.
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A blend of horror, thriller, and comedy, with references from David Fincher to “Fargo,” “The Wolf of Snow Hollow” is yet again another showcase for Jim Cummings, the indie breakout triple threat whose self-distribution of “Thunder Road” wowed critics and the industry at large. With the help of a distributor and the weight of logistics off his shoulders, Cummings is more relaxed this time around with “The Wolf of Snow Hollow,” but (naturally) equally as enthusiastic.
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Producer Jason Blum discusses 25 years of producing, how to keep films scary for modern audiences, and the legacy of his company, Blumhouse Productions.
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THE LIE stars Joey King and Mireille Enos discuss keeping the secrets of the film and making character choices.
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Stars Mamoudou Athie and Phylicia Rashad discuss their experiences working on the film.
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The drama tells the story of three women spies who helped shape the narrative of WWII.
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“The Secrets We Keep” star Noomi Rapace and director Yuval Adler discuss the descent into madness in the making of their latest film.
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Writer/Director Karen Maine talks about the making of her directorial debut, YES, GOD, YES.
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The September 4th release of “I’m Thinking of Ending Things” marks Charlie Kaufman’s 3rd film and his first collaboration with film composer and all-around chill dude, Jay Wadley.
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Writer, director, and producer Richard Tanne talks his latest film, Chemical Hearts, and the influences of greats like Alfred Hitchcock and Wes Anderson.
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