Director Tim Story is no stranger in dealing with beloved and perennial characters, nor is he a stranger to the ‘Tom and Jerry’ dynamic. He’s experienced dealing with fan-favorite properties with ‘Fantastic Four’ and draws on his past filmography to help pull ‘Tom and Jerry’ into modern family film fare.
Read MoreLegendary cinematographer Newton Thomas Sigel is the image-maker responsible for the distinctive visuals of “Cherry”, and chats with FilmSpeak about that film, as well as “The Usual Suspects”, “X-Men”, and why the increased appreciation for cinematography matters.
Read MoreComposer Henry Jackman discusses his latest collaboration with the Russo Brothers in the Tom Holland-led “Cherry,” along with his work on “Captain America: The Winter Soldier,” “Captain America; Civil War,” “Detective Pikachu,” “Kingsman,” and more!
Read MoreFRENCH EXIT is the latest film from director Azael Jacobs, which stars Michelle Pfeiffer and Lucas Hedges as a zany mother-son pair who move to Paris to ride out their remaining inheritance. Actress Valerie Mahaffey sits with FilmSpeak to discuss her experience making the film.
Read MoreOlivia Cooke and Jack O’Connell chat with FilmSpeak about their independent film ‘Little Fish’.
Produced by IFC Films, Little Fish follows the story of two young lovers, Emma (Cooke) and Jude (O'Connell) during a global pandemic that makes memories start to slowly fade away forever.
Jason Isaacs discusses his awards-worthy dramatic turn in Fran Kranz’s 2021 Sundance smash hit “Mass” along with his experiences making “Peter Pan” and “Harry Potter.”
Read MoreLIMBO actor Vikash Bhai talks about his experience making the film.
Read MoreWe had a chance to sit down for a fun chat with child actor and “Minari” star Alan Kim. It was a lot of fun, and gave us a little bit of insight into a promising young actor, as well as his next role in A24’s “Latchkey Kids”.
Read MoreEmma Caulfield, who is a part of Disney Plus’ massive Wandavision describes working on a Marvel set as “massive.”
”It's [a] living, breathing organism. It's just this mammoth. I'm trying to think of a word big enough that would encompass the size and magnitude of Marvel, but I can't really come up with anything. I need a poet”.
“My happy place seems to be the fusing of the organic stuff and the electronic stuff.” “There’s just such mutual respect with the two of us that we can really do some cool, weird stuff together.”
Read MoreDirector Sam Feder discusses transgender representation in media with the new documentary, DISCLOSURE.
Read MoreThe Marksman is a new action thriller starring Liam Neeson and Katheryn Winnick that follows a retired U.S. Marine named Jim (Neeson) living on a ranch in an Arizona border town who becomes the unlikely guardian of a young boy escaping a Mexican drug cartel. Jim must take the boy on a cross-country road trip to the only family he has left in Chicago with both the cartel and law enforcement in pursuit.
Read MoreLIFE IN A YEAR director Mitja Okorn talks love, loss, and music videos.
Read MoreShadow in the Cloud writer and director Roseanne Liang discusses the process behind harnessing her action and genre film influences while crafting a unique and memorable thriller of her own, as well as why acknowledging and enriching New Zealand’s cinematic contributions within her own work is important to her.
Read MoreMANK star Ferdinand Kingsley discusses his Shakespearean training, working with David Fincher, and 1930s Hollywood.
Read MoreTwo-time Emmy award nominee Jeremy Turner discusses composing music for MARVEL 616 on Disney+.
Read MoreMuch more than Fresh Prince’s Aunt Viv, Daphne is a pioneer in Entertainment and Social Justice, and yet never accepts the ‘pioneer’ title.
Read MoreTHE QUEEN’S GAMBIT composer Carlos Rafael Rivera talks collaboration with Scott Frank, the influence of classical music, and finding the beats in a scene.
Read MoreThe quadruple-threat talks writing and acting in TED LASSO and his inspiration for creating SOULMATES.
Read MoreWe had the wonderful chance to speak with Yu Fei about the music of The Eight Hundred. Together with an internationally formed team including composers Andrew Kawczynski and Rupert Gregson-Williams, the trio designed and crafted the melodies of the film. It is a score that has several global inspirations, and one which its creators tried to straddle the line between ancient and modern.
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