While Academy Award-nominee Amanda Seyfried’s portrayal of Elizabeth Holmes is too good to turn away from, it’s composer Anne Nikitin’s synth score that compels viewers of ‘The Dropout’ to really get engaged. In this exclusive interview with FilmSpeak, Nikitin details the process of scoring the controversial story.
Read MoreIn an exclusive interview with FilmSpeak, composer Dominik Scherer details the difficulty he had balancing the heavy moments with its light-hearted ones in his score for HBO’s ‘The Tourist’.
Read MoreSitting down with FilmSpeak are writers Casey Rackham and Kirsten King, whose upcoming feature film, Crush, premieres on Hulu April 29th. Rackham and King are longtime lovers of the genre, but they knew they wanted their writing debut to shine the spotlight on an often-under-represented group of people.
Read MoreCinematographer Andrew Droz Palermo breaks down his work in Marvel’s Moon Knight, and discusses whether or not he’ll return for some future MCU projects.
Read MoreThe beloved series iCarly is back in action, and long-time fans were full of excitement and joy that their favorite series was getting a revival treatment. FilmSpeak sat down with stars Jaidyn Triplett and Laci Mosley to discuss what we can expect from their characters and the show in season 2.
Read MoreStreaming on Paramount+, the new show The Fairly Oddparents: Fairly Odder sees the return of a now grown Timmy Turner and his beloved fairy godparents, Cosmo and Wanda. FilmSpeak got to sit down with the cast to talk about the exciting retooling of the popular animated show.
Read MoreThe creative team behind the popular HALO video game franchise knew they had to produce a film or series, but the timing never seemed right. Executive Producer Kiki Wolfkill, and star of the show, Master Chief himself, Pablo Schreiber sat down with FilmSpeak to discuss how this epic sci fi series finally got off the ground.
Read MoreIn an exclusive interview with FilmSpeak- Kevin, Dean, and Sean Kiner discuss the pressures of composing ‘Peacemaker’ as a family,. These two generations of composing Kiners who have worked on some massive sci-fi projects in the past let us know what they are most proud of and what to expect in the Peacemaker finale.
Read MoreFilmSpeak recently got the opportunity to talk to two of those key Fraggles, Wembley and Mokey (down a Fraggle hole where they can only hear our voice) to discuss about how the current Fraggle Rock Apple+ reboot, ‘Fraggle Rock: Back to the Rock’ maintains the core Jim Henson values of fun, family and growth.
Read MoreWith a massive opening, setting records for Paramount+ and its streaming service, ‘1883’ has proven to be yet another television ‘monster’ from creator Taylor Sheridan. Cast members Sam Elliott, Tim McGraw, Faith Hill, Lamonica Garrett and Isabel May talk about how to balance being both the roots of the Dutton family, and an entirely new branch of the Yellowstone family tree.
Read MoreLegendary composer Joseph LoDuca has become an integral part of the ‘Chucky’ franchise once again, as he scored the the premiere season of the horror television reboot. In an exclusive interview with FilmSpeak, he explained that he chose to introduce some interesting and foreign concepts to the score for this horror mainstay.
Read MoreAfter a literally explosive Season 3 finale, the COVID hiatus did not slow the wildly popular ‘Yellowstone’ at all, as the highly anticipated premiere promises to be just as combustable. Wes Bentley (Jamie Dutton) and Kelsey Asbille (Monica) talked to FilmSpeak about the moral voices of their characters, can the Duttons ever be happy and their predictions for Season 4.
Read MoreWhere some filmmakers might find a spin-off to be a daunting task, Loren S. Yaconelli and Ross Riege discuss with FilmSpeak how “The Walking Dead: World Beyond” was instead able to provide a productive collaboration, and a unique experience among the larger “Walking Dead” franchise.
Read More“I was playing Red Dead Redemption again for the fourth time while I was character building,” says Midnight Mass actor Rahul Kohli, but adds that the character is more than just the cowboy audiences are used to. “This character [embodies] two things... John Wayne, and in Post-9/11, you had America’s greatest villain; the bearded brown man who’s Muslim, and [Flanagan] fused them [together].”
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