A blend of horror, thriller, and comedy, with references from David Fincher to “Fargo,” “The Wolf of Snow Hollow” is yet again another showcase for Jim Cummings, the indie breakout triple threat whose self-distribution of “Thunder Road” wowed critics and the industry at large. With the help of a distributor and the weight of logistics off his shoulders, Cummings is more relaxed this time around with “The Wolf of Snow Hollow,” but (naturally) equally as enthusiastic.
Read MoreProducer Jason Blum discusses 25 years of producing, how to keep films scary for modern audiences, and the legacy of his company, Blumhouse Productions.
Read MoreTHE LIE stars Joey King and Mireille Enos discuss keeping the secrets of the film and making character choices.
Read MoreStars Mamoudou Athie and Phylicia Rashad discuss their experiences working on the film.
Read MoreThe drama tells the story of three women spies who helped shape the narrative of WWII.
Read More“The Secrets We Keep” star Noomi Rapace and director Yuval Adler discuss the descent into madness in the making of their latest film.
Read MoreWriter/Director Karen Maine talks about the making of her directorial debut, YES, GOD, YES.
Read MoreThe September 4th release of “I’m Thinking of Ending Things” marks Charlie Kaufman’s 3rd film and his first collaboration with film composer and all-around chill dude, Jay Wadley.
Read MoreWriter, director, and producer Richard Tanne talks his latest film, Chemical Hearts, and the influences of greats like Alfred Hitchcock and Wes Anderson.
Read MoreComposer Michael Yezerski sits down with FilmSpeak to discuss scoring David Ayer’s “The Tax Collector” and what he describes as “seat of your pants scoring”.
Read MoreWe recently had to privilege of chatting with writer/director/producer of “She Dies Tomorrow,” Amy Seimetz, as well as stars Kate Lyn Sheil and Jane Adams. Kate and Jane talk about their process as performers to bring these feelings to the surface, and Amy breaks down how her vision of the film is based on her personal experiences and discusses her technique for using editing and sound design to create a visceral experience for the audience.
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