In an exclusive interview with FilmSpeak, screenwriter Matt Lopez discusses why he wanted to make a modern version of Father of the Bride, and why he thinks it’ll resonate with the Latinx community.
Read MoreFilmSpeak wins the lottery as we sit down with legendary actors Bryan Cranston and Annette Bening and comedian Larry Wilmore to discuss their latest film Jerry and Marge Go Large, streaming on Paramount+ June 17th. The film is inspired by the remarkable true story of retiree Jerry Selbee (Cranston), who discovers a mathematical loophole in the Massachusetts lottery and, with the help of his wife, Marge (Bening), wins millions.
Read MoreWhen The Orville debuted five years ago, few knew that the Seth MacFarlane creation would end up where it is today. That isn’t simply the fact that The Orville eventually landed on Hulu, it’s also the fact that the show really found itself and its audience in its second season. FilmSpeak sits down with the cast and crew of the show to talk about the exciting and long awaited season 3.
Read MoreComposers Andy Grush and Taylor Newton Stewart are better known as The Newton Brothers, creating film scores since 2011, and recently, are responsible for working on some of the more critically acclaimed horror entertainment out there. They sat down with FilmSpeak to talk about their personal musical journeys.
Read MoreWhen a little blue hedgehog debuted in the summer of 1991, it might be a safe assumption that no one knew how big a property he would become. Stars of Sonic the Hedgehog 2, Lee Majdoub, Colleen O’Shaughnessey and director Jeff Fowler reflect on how Sonic became the success story it is, while the film comes to Paramount+.
Read MoreExpertly creating rich emotional swings through his music, Downton Abbey fans have come to love Composer John Lunn’s incredible score that amplifies the series’ dramatic tensions throughout the series’ six seasons, and the 2019 feature film. Lunn sat down with FilmSpeak to discuss the process of scoring Downton Abbey: A New Era, and reflects on the TV series as a whole.
Read MoreIn a world where most romantic comedies are relegated to streaming services, The Lost City hit theaters back in March, making it clear there is not only an audience still hungry for this genre, but that this is a story worth telling on the big screen. FilmSpeak sits down with the directors, the Nee Brothers and star Oscar Nuñez now that the film is available on demand.
Read MoreWhile Academy Award-nominee Amanda Seyfried’s portrayal of Elizabeth Holmes is too good to turn away from, it’s composer Anne Nikitin’s synth score that compels viewers of ‘The Dropout’ to really get engaged. In this exclusive interview with FilmSpeak, Nikitin details the process of scoring the controversial story.
Read MoreMichael Waldron, creator of Loki and writer of Doctor Strange in the Multiverse of Madness talks about Loki season 2, what characters he wants to bring into the MCU, and just how big the multiverse can get. Waldron and this generation of Marvel creators have reinvented a very popular wheel, and he promises to continue to push the envelope in future MCU phases.
Read MoreIn an exclusive interview with FilmSpeak, composer Dominik Scherer details the difficulty he had balancing the heavy moments with its light-hearted ones in his score for HBO’s ‘The Tourist’.
Read MoreWhat is particularly notable of Director Michael McGowan, despite being tempted by the seductress that is America, is he has told predominantly Canadian stories. All My Puny Sorrows, based off the book by Miriam Toews is yet another notch in the proverbial beaver skin belt; a sweet and sorrowful story about how a family is trying to deal with depression.
Read MoreEven if you’re not a fan of HBO’s political comedy VEEP, chances are you have seen something that Primetime Emmy nominated actor/comedian Matt Walsh has been in. The seasoned comedian has been a part of some the most impressive comedic ensembles in recent television and film, and he now brings that experience to his new film, Unplugging.
Read MoreSitting down with FilmSpeak are writers Casey Rackham and Kirsten King, whose upcoming feature film, Crush, premieres on Hulu April 29th. Rackham and King are longtime lovers of the genre, but they knew they wanted their writing debut to shine the spotlight on an often-under-represented group of people.
Read MoreCinematographer Andrew Droz Palermo breaks down his work in Marvel’s Moon Knight, and discusses whether or not he’ll return for some future MCU projects.
Read MoreAfter throwing every idea they ever had into the multiversal adventure, directors Dan Kwan and Daniel Scheinert look at how their past shaped their filmmaking future, and what possibly awaits them in that future. Continue to see the full video interview and hear what the Daniels had to say about “Everything Everywhere All At Once”.
Read MoreWhile the mind-boggling visuals and editing promise to keep your attention when watching Everything Everywhere All At Once, the film’s 49-track score by experimental musical trio Son Lux make the experience that much more memorable, all while simultaneously tugging at your heartstrings. Here’s our interview with the group.
Read MoreThe beloved series iCarly is back in action, and long-time fans were full of excitement and joy that their favorite series was getting a revival treatment. FilmSpeak sat down with stars Jaidyn Triplett and Laci Mosley to discuss what we can expect from their characters and the show in season 2.
Read MoreStreaming on Paramount+, the new show The Fairly Oddparents: Fairly Odder sees the return of a now grown Timmy Turner and his beloved fairy godparents, Cosmo and Wanda. FilmSpeak got to sit down with the cast to talk about the exciting retooling of the popular animated show.
Read MoreFilmSpeak got to sit down with key members of Johnny Knoxville’s merry band of misfits, as they have returned for a fourth instalment of the beloved, stunt-heavy franchise with Jackass Forever. This wild bunch has made it clear, there is still a hunger to give fans more of what they love.
Read MoreMorbius composer Jon Ekstrand discusses how John Carpenter and 80’s synth scores helped shape the soundscape for Sony’s Jared Leto-vampire comic book adaptation.
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