Moritz Mohr’s meta-actioner ‘Boy Kills World’ desperately wants to be a cross between Deadpool, Silent Night, and The Hunger Games, but its chosen tropes and tools completely sinks the movie.
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John Woo strips away dialogue in ‘Silent Night’, and delivers a no-holds-barred actioner that reminds us all why he’s one of action cinema’s greatest image-makers.
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Thanks to an incredible sense of visual skill and a terrific cast, Spy Kids: Armageddon revives one of the best family franchises in modern film history while still being game for the ultra-ridiculous fun the franchise is known for.
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Even those not familiar with Hebert’s classic work, will not be blinded to the fact that ‘Dune’ is easily one of the best films of the year so far. Brought to you by visionary Canadian filmmaker Denis Villeneuve, this epic story is brought to life on such an incomprehensibly grand scale, it becomes completely mesmerizing.
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If you thought 2018’s ‘Venom’ went back to the days of early-2000’s era superhero silliness, then wait until “Venom: Let There Be Carnage” as it cranks the 2000’s style to the max. With a B-movie style that perfectly matches its rushed script, it all ends in yet another over the top CGI battle between different colored goo.
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“Tom Clancy’s Without Remorse” features a layered and charismatic lead performance from Michael B. Jordan, but the film around him largely lacks any character at all.
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Bob Odenkirk proves himself capable of being the next big action hero in “Nobody”, where his fighting prowess helps the film’s excellent action sequences overcome its flat story.
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