After catapulting Brendan Fraser to his first Academy Award, Director Darren Aronofsky has his sights set on further showcasing Austin Butler’s versatility in ’Caught Stealing’, a wonderfully grungy tale of crime and chaos in 90’s NYC.
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The Dinosaurs are back wreaking havoc yet again in the latest Jurassic World instalment. ‘Rebirth’ may deliver some new thrills, but like its predecessors, fails to live up to the magic of the original Spielberg classic.
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The sassy, murderous robot has returned to the big screen in ‘M3gan 2.0’, a sequel that takes the franchise in a brand new direction, but fails to capitalize on the potential that new territory brings with it.
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F1: The Movie is a spectacularly entertaining summer blockbuster that yearns to be seen on the biggest screen possible. What it may lack in storytelling, it more than makes up for in its endless entertainment value.
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Danny Boyle and Alex Garland re-team for an effective return to their 2000’s classic in ‘28Years Later’. But was this almost three decade wait, worth it?
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The John Wick universe has officially become larger with ‘From The World of John Wick: Ballerina’, a spinoff that is sure to please die hard fans of the action series while expanding the fascinating lore and mythology the franchise has already established.
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Tom Cruise embarks to complete his most challenging mission yet in ‘Mission: Impossible - The Final Reckoning’, the seemingly final installment in the long-running, beloved franchise that packs plenty of emotional and visceral punch for the action-hungry fans of the series. Here's our review:
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While no one can deny the intricate puppetry of ‘The Legend of Ochi’, Isaiah Saxon’s directorial debut is a frequently grating, listless carbon copy of better, more poignant family adventures, without any personal voice behind the images that the director unabashedly steals from.
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Marvel kicks off their exciting 2025 lineup with ‘Captain America: Brave New World’, a sequel that doesn’t break any thrilling new ground, but delivers a strong, street-level MCU film that should please fans and casual viewers.
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Mel Gibson is back in the director’s chair for his new thriller ‘Flight Risk’, a deeply disappointing and mediocre film that wastes his and everyone else’s notable talent.
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Jeff Fowler, director and chief creative behind all three Sonic films thus far (as well as the ‘Knuckles’ show) got his start within the franchise early on, and it continues to pay off in ‘Sonic 3’.
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Following in the footsteps of abysmal prior efforts, ‘Kraven The Hunter’ seemingly ends Sony’s extended universe with a limp, lifeless comic book film that fails to excite or intrigue.
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Dwayne Johnson and Chris Evans attempt to save Christmas in their big budget holiday adventure film ‘Red One’ - a holiday film that miserably fails to entertain and deliver what it easily could have.
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Director Ridley Scott boldly heads back to the colosseum for ‘Gladiator II’, a sequel that fortunately is a highly entertaining and worthy successor to its award winning and epic predecessor.
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Eddie and Venom are back on the big screen for one final adventure in ‘Venom: The Last Dance’, a conclusion that is emotionally limp and easily the weakest of the trilogy.
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George Clooney and Brad Pitt keep the charm and fun moving in Jon Watts’ 'Wolfs', even if the movie itself offers mixed results.
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The biggest surprise of 2024 has arrived in ‘Transformers One’, an animated film that delivers the action-packed goods and an emotionally powerful origin story for the iconic Optimus Prime and Megatron.
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The beloved sci-fi franchise returns to its blood-soaked horror roots with 'Alien: Romulus' - a sequel that brings back the chills and thrills as it expands the lore of the series.
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Yet another video game adaptation has made its way to the big screen with Eli Roth’s ‘Borderlands’, a lifeless and joyless affair that wastes its talent and potential in equal measure.
Read More![‘Steppenwolf’ Review: Adilkhan Yerzhanov’s Nihilist Misfire [Fantasia 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1723150085463-9XPBC91SAQ2PBSG0S00V/Steppenwolf_01.png)
While director Adilkhan Yerzhanov nails the center framing in ‘Steppenwolf’, his film is a completely undercooked nihilist nightmare that has nothing to say about the world and characters it presents.
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