Jeff Fowler, director and chief creative behind all three Sonic films thus far (as well as the ‘Knuckles’ show) got his start within the franchise early on, and it continues to pay off in ‘Sonic 3’.
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Following in the footsteps of abysmal prior efforts, ‘Kraven The Hunter’ seemingly ends Sony’s extended universe with a limp, lifeless comic book film that fails to excite or intrigue.
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Dwayne Johnson and Chris Evans attempt to save Christmas in their big budget holiday adventure film ‘Red One’ - a holiday film that miserably fails to entertain and deliver what it easily could have.
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Director Ridley Scott boldly heads back to the colosseum for ‘Gladiator II’, a sequel that fortunately is a highly entertaining and worthy successor to its award winning and epic predecessor.
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Eddie and Venom are back on the big screen for one final adventure in ‘Venom: The Last Dance’, a conclusion that is emotionally limp and easily the weakest of the trilogy.
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George Clooney and Brad Pitt keep the charm and fun moving in Jon Watts’ 'Wolfs', even if the movie itself offers mixed results.
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The biggest surprise of 2024 has arrived in ‘Transformers One’, an animated film that delivers the action-packed goods and an emotionally powerful origin story for the iconic Optimus Prime and Megatron.
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The beloved sci-fi franchise returns to its blood-soaked horror roots with 'Alien: Romulus' - a sequel that brings back the chills and thrills as it expands the lore of the series.
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Yet another video game adaptation has made its way to the big screen with Eli Roth’s ‘Borderlands’, a lifeless and joyless affair that wastes its talent and potential in equal measure.
Read More![‘Steppenwolf’ Review: Adilkhan Yerzhanov’s Nihilist Misfire [Fantasia 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1723150085463-9XPBC91SAQ2PBSG0S00V/Steppenwolf_01.png)
While director Adilkhan Yerzhanov nails the center framing in ‘Steppenwolf’, his film is a completely undercooked nihilist nightmare that has nothing to say about the world and characters it presents.
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The merc with the mouth is finally joining the MCU in the long-awaited ‘Deadpool and Wolverine’, a comic book film that not only expertly brings him into the fold, but delivers the team-up fans have been dreaming of and then some.
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Tornadoes are set to tear up the silver screen yet again in ‘Twisters’, a sequel that lovingly pays homage to its predecessor while carving its own unique, highly entertaining path.
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The beloved horror franchise has returned to silence audiences once again with ‘A Quiet Place: Day One’, a sequel that manages to entertain in good measure, but not expand the lore and mythology stemming from the series’ novel concept.
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Thelma is a triumph which any filmmaker would be proud of, made all the more remarkable by the fact that this is director Josh Margolin’s feature film debut but also seeing June Squibb get a chance to play her first leading role at age 94.
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George Miller doesn’t quite return with a vengeance in ‘Furiosa: A Mad Max Saga’ - rather, he brings a seasoned sense of detail and management. The Mad Max franchise has become well known for an exasperated brand of freneticism and unbridled energy rarely captured in blockbuster action cinema as it stands today, and ‘Furiosa’ remains consistent within that.
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Set in the aftermath of Caesar's rule, ‘Kingdom of the Planet of the Apes’ skillfully preserves the franchise’s legacy, advances the narrative, all while creating visual effects that are awe-inspiring.
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Moritz Mohr’s meta-actioner ‘Boy Kills World’ desperately wants to be a cross between Deadpool, Silent Night, and The Hunger Games, but its chosen tropes and tools completely sinks the movie.
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The new team of Ghostbusters has returned to the silver screen to rid New York city of more paranormal entities in ‘Ghostbusters: Frozen Empire’, an entertaining follow-up not without its issues.
Read More![SXSW Exclusive: 'The Fall Guy' Review: A Hilarious, Stunt-tacular, Popcorn Poppin' Movie of the Year [SXSW 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1710535943501-W7EPGIBRSACJDIOV3L72/SXSW%2B24.TheFallGuy.1.jpg)
Insanely comedic performances elevate the insanely impressive stunt masterclass of ‘The Fall Guy’ to the point of… well, insanity. Continue for our full SPOILER-FREE review.
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‘Arthur the King’ is arguably the best and most emotional film of the year - a true story about a dog’s resilience, pain, inspiration, life and belief as he goes from abuse and fighting for his life, to finding a family through the roughest conditions that the environment tends to throw at him.
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