The Grabber may have met his maker, but that hasn’t stopped him from clawing his way back to terrorize Finney and Gwen yet again in ‘Black Phone 2’, a horror sequel that provides chilling scares and an exciting expansion of the overarching mythology.
Read More‘After the Hunt’ may be the most contemptuous movie of the year, and that’s precisely why it works. Luca Guadagnino confronts the audience’s conception of the truth and forces them to rethink how they perceive and view movies as he rejects dialogue to focus on the strongest images of his career.
Read More‘Anemone’ should only be watched by those craving another performance from Daniel Day-Lewis, because the film surrounding his incredible, controlled turn does not work at all.
Read MoreFor better or worse, ‘The Oval Portrait’ is the exact sort of film which a Hammer horror fan will appreciate.
Read MoreThanks to a painterly sense of image-making and captivating turns from Marion Cotillard and Clara Pacini, Lucile Hadžihalilović creates a unique atmosphere with ‘The Ice Tower’, blending the artifice of cinema with the trauma-inducing dread of a child’s fantasy.
Read MoreShane Black has fun in the cartoonishly glorious adaptation of Donald E. Westlake’s work with ‘Play Dirty’, containing Mark Wahlberg’s best performance in years as he dons the mantra of Westlake’s most iconic character.
Read MoreWhile ‘Eleanor the Great’ is elevated by a legendary turn from June Squibb as the titular character, the film’s handling of several subjects leaves much to be desired, as does Scarlet Johansson’s direction.
Read More‘Sunny Side Up’, a short film at this year’s Seattle Film Festival, is done with such masterfulness that its baffling that such a beautifully well acted, and whimsically playful film was made under a budget of just five hundred Euros.
Read More‘Anyhing Helps’ may not illustrate how to solve the problem of global homelessness, but it does show that communication and the love emulated from simple companionship can go a long way as a first step.
Read MoreUltimately, despite a strong premise, ‘Him’ ends up throwing a Hail Mary, which, if not fumbled, undoubtedly could have been more interesting than the end result.
Read MorePark Chan-Wook redefines his filmography with his adaptation of Donald Westlake’s ‘The Ax’ in ‘No Other Choice’ and offers a once-in-a-generation lesson of pure cinema that anyone who appreciates the art form must see.
Read MoreIn recent years film has entered a reflective period where there seem to be more and more works that are about looking back and honoring what was. Nic Pizzolatto’s ‘Easy’s Waltz‘ slips right into this milieu, following a down-on-his-luck Las Vegas entertainer, Easy (Vince Vaughn) navigate his way through the Vegas show business.
Read MoreWhile Oliver Hermanus stuns with its patient visual language and soul-shocking musical sequences, ‘The History of Sound’s structure — and a miscast Paul Mescal — leaves a lot to be desired by the time the movie reaches its admittedly devastating epilogue.
Read MoreGuillermo del Toro and Toronto have a special relationship, and debuting the filmmaker’s passion project, ‘Frankenstein’, at Toronto’s festival just seems fitting.
Read MoreFor Channing Tatum fans, this is definitely not a film to miss – as always, he is a standout as his natural charisma brings a lot of life to ‘Roofman’ and makes the film more than worthwhile. Other audience members may not be convinced.
Read MoreWhile ‘If I Had Legs I’d Kick You’ may be inconsistent at times, Rose Byrne stuns in role as chaotic and spiralling mother who, despite her best efforts, is trapped in one dark spiritual hole after another.
Read MoreEven for the areligious viewer, Amanda Seyfried’s Ann, her passion and her fervor are tremendously transfixing in Mona Fastvold’s ‘The Testament of Ann Lee’.
Read MoreThe sardonic comedy ‘Bad Apples’ plants itself in utter absurdity, and yet, it may be an effective public service announcement for education reform.
Read MoreSkillfully adapted from the minimalist psychological horror video game, Genki Kawamura’s ‘Exit 8’ is an eerily worthy adaptation that truly breaks free of the bad luck surrounding the genre.
Read MoreKleber Mendonça Filho gives us the most important political film of the year with ‘The Secret Agent’, a thriller fluent in both film and political history, with a captivating performance from Wagner Moura anchoring the picture.
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