Despite a well-mounted cast and one of the best cinematographers working today contributing to the project, Alex Scharfman’s ‘Death of a Unicorn’ is yet another bad film from a studio that is in desperate need of reinvention.
Read MoreMark Anthony Green’s ‘Opus’ recycles the aesthetics and tropes A24 has firmly established itself upon and may accidentally reveal that their brand of “elevated” independent entertainment has grown stale after over a decade of films on the big screen.
Read MoreIn this story of the past coming back to haunt an opera director during a production of ‘Salome’, director Atom Egoyan gives us ‘Seven Veils’, a film which is all that Egoyan fans could ask for.
Read MoreAfter directing the best picture winning parasite, director Bong Joon Ho returns with ‘Mickey 17’, a wholly original sci-fi film that further showcases his talent behind the camera and knack for compelling storytelling.
Read MorePaolo Sorrentino looks at youth’s deepest regrets as time goes by in ‘Parthenope,’ a study on how we we choose to spend the finite period we have on this planet.
Read MoreThere more than a little Monkey-business going on, as Director Osgood Perkins’ latest film, ‘The Monkey’ is certainly not on the level of his ‘Longlegs’, as the film struggles with tonal coherency.
Read MoreWith films under his belt such as ‘The Black Phone’, ‘Sinister’ and ‘Doctor Strange’, director Scott Derrikson should be an exciting, much talked auteur. Instead ‘The Gorge’ merely adds another film in a growing list of visually stunning yet ultimately flawed films.
Read MoreRenée Zellweger gives her best and most vulnerable performance of Bridget Jones in the fourth instalment, ‘Mad About the Boy’ which pieces the titular character’s life back together in the wake of insurmountable loss.
Read MoreKe Huy Quan finally has an action vehicle to his name with ‘Love Hurts’, but his effervescent performance sadly can’t overcome the many hurdles this 83-minute-long affair is sadly stuck in.
Read MoreAmy Schumer and Tyler Spindel destroy the joyful nature of screwball comedies with the horrifically unfunny ‘Kinda Pregnant’, which gets progressively worse as its eternal ninety-minute runtime stretches to unbearable heights.
Read MoreWalter Salles attempts to denounce Brazil’s military dictatorship in his family drama ‘I’m Still Here’ but accomplishes very little despite a committed performance by Fernanda Torres.
Read MoreKeke Palmer and SZA make one hell of a comedic duo in the uproariously funny ‘One of Them Days’, a perfect January surprise for moviegoers looking for pure escapism.
Read MoreLeigh Whannell reinvigorates interest in the werewolf through his frequently thrilling ‘Wolf Man’, even if the movie stumbles as it reaches its uneventful conclusion.
Read MoreJeff Fowler, director and chief creative behind all three Sonic films thus far (as well as the ‘Knuckles’ show) got his start within the franchise early on, and it continues to pay off in ‘Sonic 3’.
Read MoreWhile stars Nicole Kidman and Antonio Banderas give their all in ‘Babygirl’, the film is hindered by a severe lack of chemistry with its lead star and a profoundly miscast Harris Dickinson.
Read MoreTim Fehlbaum’s attempt at criticizing the normative ideals of journalistic objectivity in ‘September 5’ turns into a total and complete failure by being afraid of engaging itself with the backdrop it presents.
Read More‘Nosferatu’ may truly be Robert Eggers’ best film yet. He fired on all cylinders here and delivered a spirited modern rendition of a classic story that belongs in the same hallowed halls as the 1922 original from which it was wrought.
Read MoreWilliam Goldenberg energetically depicts Anthony Robles' inspiring story in ‘Unstoppable’, a sports drama anchored by compelling turns from Jharrel Jerome, Don Cheadle, and Jennifer Lopez.
Read MoreIf you have the time, ‘Wicked’ is a totally worthy afternoon at the movies meant for family and friends. The World of Oz needed a refreshment, and perhaps this wizardly revisit is exactly what the wizard ordered.
Read MoreTyler Thomas Taormina depicts the euphoric chaos of Christmastime unlike any filmmaker has ever showcased in ‘Christmas Eve in Miller’s Point’. Yet there are glaring flaws that prevent it from becoming the next great Christmas classic.
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