![‘I Love Paris’ Review: The Next Great Mockumentary is Here [Fantasia 2026]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/4772d746-367b-4799-abbf-2a9bc24fab5d/HERO+2.png)
Thanks to its committed performances and an impeccably controlled aesthetic palette, director Nicky Murphy gives us a mockumentary for the ages in ‘I Love Paris’, which can even put What We Do In the Shadows to shame.
Read More
![‘You Are the Film’ Review: Makoto Ueda’s Meta-Comedy is a Hoot [Fantasia 2026]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1785177838773-47LL9CWHB74YRZ0OK2O8/You_Are_the_Film_-_main.jpg)
While brief, Makoto Ueda crafts a highly playful meta-comedy with ‘You Are the Film’ and awakens our innate love of cinema as a unifying art form.
Read More![‘Teenage Sex and Death at Camp Miasma’ Review: Schoenbrun Deconstructs Slasher Cinema In This Brilliantly Subversive Satire [Fantasia 2026]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1784662765796-KY8296NFFDX4JXTYCDM0/CampMiasma_Still_1_MUBI.jpg)
Jane Schoenbrun tackles a lot in ‘Teenage Sex and Death at Camp Miasma’ that it almost feels like it’s going to collapse in on itself, until it doesn’t and opens up in ways you never expected from the outset.
Read More
While Mark Jenkin continues his signature visual language and draws career-best performances from Callum Turner and George MacKay, the overall experience of ‘Rose of Nevada’ confounds more than it illuminates.
Read More
Olivia Wilde’s latest directorial effort ‘The Invite’ is just as hilarious as it is impressive, making for one of the year’s best.
Read More
While imperfect in its structure, Carla Simón manages to pull us into a devastating portrait of a young woman searching for the truth amid a fractured family with ‘Romería’.
Read More
Short, sweet, and blending the old with the new, ‘Jackass: Best and Last’ is less swan song and more victory lap. Longtime fans and new viewers alike will find a lot to appreciate in this theatrical riot.
Read More
John Early’s convincing performance as ‘Maddie’s Secret's titular character saves a rather perplexing experience that doesn’t know whether to fully lean into its satirical provocations or seriously explore the protagonist’s secret.
Read More
Despite a committed performance from Mila Al-Zahrani, Haifaa al-Mansour’s ‘Unidentified’ takes a rather irresponsible turn near its final five minutes, which sinks the entire proposition from the acclaimed Saudi filmmaker.
Read More
Beyond the title telegraphing what happens to the titular character, when the credits roll for ‘The Death of Robin Hood’, it’s hard to say that anything new has been learned, or even meaningfully accomplished with the iconic character.
Read More
Despite solid performances and a potent message, Adrian Chiarella’s ‘Leviticus’ begins to fall apart as soon as its mechanics contradict themselves.
Read More
Despite solid performances from Samara Weaving and Kyle Gallner, alongside an assured sense of style, Adam Carter Rehmeier’s ‘Carolina Caroline’ doesn’t have much to offer beyond its obvious inspirations.
Read More
Ol Parker’s latest romantic comedy, ‘Office Romance’, is frequently bizarre and, in many respects, painfully unfunny. However, once Jennifer Lopez and Brett Goldstein are paired together, it’s pure movie magic.
Read More
Kane Parsons breaks into the Hollywood scene by adapting his own ‘Backrooms’ YouTube series into a surprisingly intelligent and aesthetically thoughtful feature film.
Read More
While ‘Ladies First’ boasts a fun cast, the movie’s morals are even more dated and regressive than its French-language 2018 original.
Read More
Despite a solid cast and assured photography, Olivier Assayas fails to meet the moment with ‘The Wizard of the Kremlin’, delivering a complete nothingburger that has no idea what it wants to say about the figures it presents.
Read More
Aleshea Harris deconstructs the traditional tropes of revenge cinema through an adaptation of her own work in ‘Is God Is’, and intelligently prompts us to reflect on what this unnecessary bloodletting means in the eyes of her two tormented twins.
Read More
Although muddied by some strange editing choices, Billie Eillish and James Cameron deliver a 3D experience akin to a shot of adrenaline with ‘Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D)’, after nearly two years of touring her third album.
Read More
Thanks to the on-screen talents of Sally Field and Lewis Pullman, Olivia Newman overcomes many of the inconsistencies that plague the filmed adaptation of ‘Remarkably Bright Creatures’ and turns it into a relatively charming affair.
Read More
Thanks to heartfelt performances from Robert Aramayo, Maxine Peake, and Peter Mullan, Kirk Jones’ ‘I Swear’ overcomes its clear Ken Loach visual inspirations and draws an uplifting portrait of finding purpose in raising awareness of the difficulties of Tourette’s syndrome.
Read More