Director Potsy Ponciroli brings us ‘Motor City’ into the Toronto International Film Festival and the film presents an interesting dynamic - There is almost zero dialogue. While Alan Ritchson, Ben Foster and Shailene Woodley give loud performances, it may not be enough to save this city without sound.
Read MoreBecause director Francis Lawrence is such a storied visual artist, ‘The Long Walk’ can mostly overcome its shoddily written screenplay as it continuously coddles the audience through a slow paced stroll of Stephen King’s first work.
Read MoreAlex Russell eviscerates our social media-obsessed era with the riveting and often terrifying ‘Lurker’, thanks to incredible turns from Théodore Pellerin and Archie Madekwe.
Read MoreThanks to an assured sense of style and magnifying performances from its core cast, Michael Angelo Covino’s ‘Splitsville’ manages to stay afloat, despite a cyclical structure that makes some of its funnier beats less impactful.
Read MoreThanks to a captivating performance by Margaret Qualley and an assured sense of style and hyper-violence, Ethan Coen manages to make ‘Honey Don’t!’ a memorable affair, even if it continuously stumbles along the way.
Read MoreSpike Lee’s adapts Akira Kurosawa’s original with ’Highest 2 Lowest’ - undoubtedly the best remake of his career, anchored by another magnifying lead turn from Denzel Washington, who continues to prove why he’s the greatest to have ever done it.
Read More‘Freakier Friday’ is Disney’s best theatrical live-action release in ages, thanks in no small parts to the ineffable charm of both Lindsay Lohan and Jamie Lee Curtis.
Read MoreDirector Akiva Schaffer uses his comedic sensibilities to revive the police squad for 80 minutes of non-stop laughs in ‘The Naked Gun’.
Read MoreWhile Ilya Naishuller remains a cogent action artist who knows how to frame and shoot a succession of kinetically exciting sequences, everything around the action in his latest, ‘Heads of State’, falls incredibly flat.
Read MoreWith a towering performance from Danielle Deadwyler and an assured sense of style, director R.T. Thorne breathes new life into Canadian genre cinema with the thrillingly tactile ‘40 Acres’ and ensures a future for this art form.
Read MoreWhile Bryan Cranston and Allison Janney give somewhat impassioned performances, Jon S. Baird can’t follow up the same momentum he built with ‘Tetris’ in his latest motion picture, ‘Everything’s Going to Be Great’.
Read MoreWhile it may not be as narratively and thematically strong as ‘Past Lives’, Celine Song still delivers a jaw-droppingly affecting meditation on love and its intrinsic connection to life with ‘Materialists’.
Read MoreWes Anderson culminates his cycle of self-reflexion with ‘The Phoenician Scheme’, a film that throws all of his formal sensibilities out the window, as he looks to break what made him such a revered filmmaker for the past thirty years.
Read More‘Lilo & Stitch’ can certainly be considered one of the best live-action Disney remakes, right up there with ‘Aladdin’. It’s a fun, emotional, and thrilling ride that balances humor with a heartfelt core.
Read MoreWhile ‘Jane Austen Wrecked My Life’ boasts solid performances, the array of subjects and themes it explores is far too underdeveloped to make a good movie.
Read MoreTom Cruise embarks to complete his most challenging mission yet in ‘Mission: Impossible - The Final Reckoning’, the seemingly final installment in the long-running, beloved franchise that packs plenty of emotional and visceral punch for the action-hungry fans of the series. Here's our review:
Read MoreJosh Hartnett fueled widespread conversation last year with his performance in the M. Night Shyamalan thriller ‘Trap’. So, following a polarizing performance such as that one, what is an actor to do next? Star in the B-movie action thriller ‘Fight or Flight’ and dye your hair blonde.
Read MoreBolstered by Tim Robinson's amazing talent, Andrew DeYoung’s ‘Friendship’ is designed to make audiences as uncomfortable as possible during sequences of massive embarrassment that are as aesthetically thrilling as they are painfully hilarious.
Read MoreAll we have to say about ‘Clown in a Cornfield’ is keep the clowns away. They’re always going to be scary - whether they haunt or nightmares or they’re simply a poor suggestion on your playlist.
Read MoreThanks to the effervescent chemistry from Anna Kendrick and Blake Lively, alongside a story that knows it shouldn’t take itself too seriously, Paul Feig makes his first good movie since ‘A Simple Favor’ with the sequel ‘Another Simple Favor’.
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