Mali Elfman’s feature length directorial debut, Next Exit thoughtfully navigates our complex relationship with life after death, suggesting that our lack of knowledge may be a good thing.
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‘The Matrix Ressurections’ puts almost every tentpole blockbuster to shame this year. With dazzling cinematography and meticulously-crafted action sequences, Lana Wachowski, flying solo this time, has created a side to the Matrix universe audiences have never witnessed before.
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In ‘Finch’, Hanks is stranded again, this time in a dystopia where radiation has killed most of life on earth, with a dog as his best friend. Hanks plays Finch Weinberg, one of the last humans on Earth slowly dying of radiation poisoning. While Finch contains a terrific performance from Tom Hanks and stark cinematography, the movie’s predictable re-tread of survival drama tropes makes it a tiring watch instead of a compelling one.
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The entire premise of Lisa Joy’s directorial debut, ‘Reminiscence’, is enough to entice any fans of mind-bending sci-fi films, but in film, execution trumps everything else. An artist can have the greatest idea in the world for a movie, TV show, or book, only for it to be a mediocre experience if the execution of that said idea wasn’t successful.
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While ‘Flashback’ uses the time-loop genre to warn us of predictive data analysis, its message doesn’t fully align with its cryptic story.
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