While the director has been responsible for some of the slickest action films of note, Guy Ritchie’s ‘The Ministry of Ungentlemanly Warfare’ is tragically and painfully average, and all things considered, doesn’t present much to warrant anything after an obligatory first watch.
Read More‘The First Omen’ is a traditional prequel in the way that it unfortunately fails to justify its own existence, falling into the busy chasm of efforts long lost, doomed to the same fate.
Read MoreDon’t go in expecting to be blown away, and ‘Damsel ‘ should do just fine. Just make sure you’ve got your plot-armor, and possibly a few glow worms for safe measure, too.
Read MorePerhaps just when we needed a film like this, enter Netflix’s Spaceman - a deceivingly simple drama that does more than drink and dribble. Questions of love, time and space, and redemption float aimlessly among the cinematic stars, away from a grounded Adam Sandler who may have just delivered his best performance yet.
Read MoreDespite striking images from cinematographer Matthew Libatique, director Bradley Cooper fails to peer through the public façade of Leonard Bernstein in the ridiculously formless and inert ‘Maestro’.
Read MoreMake no mistake. ‘A Haunting in Venice’ may not be perfect, but it’s still a scary good time. While it’s hard to say if it’s the best in the franchise, it is undeniably just as good as the first two entries.
Read More‘My Big Fat Greek Wedding 3’ could’ve been an enjoyable sequel, but it instead re-treads to distasteful and lethargic humor, essentially putting the nails in the coffin for the future of the franchise.
Read More‘Dumb Money’, as an adaptation, feels both timely, and too soon. Nonetheless, the film’s message is evergreen, and its ensemble is more than enough to carry a well-enough put together film to being a good time.
Read MoreDespite a committed performance from Taylor Zakhar Perez, the Hallmark-lite aesthetic of Red, White & Royal Blue ruins anything it tries to establish.
Read More‘The Last Voyage of the Demeter’ is a lean, studio-stunted yet passionate horror film that boasts a strong lead performance and vintage setting. It may not be the greatest monster-thriller in recent memory, but absolutely deserves the attention of horror junkies.
Read MoreBen Kingsley gives an incredible performance in Marc Turtletaub’s ‘Jules’, but can’t prevent the movie from falling short of its overall ambitions.
Read MoreA priest, a psychic, and an astrophysicist walk into a haunted house. While you might think that’s a setup for some cheesy joke, it’s a partial plot description for Disney’s latest film adaptation of its iconic theme park attraction, ‘The Haunted Mansion’.
Read MoreVin Diesel and his eclectic crew are back for yet another instalment in the beloved ‘Fast and Furious’ franchise in ‘Fast X’ - delivering more of the high octane stunts and emotional stakes fans have come to know and expect.
Read MoreEmma Mackey galvanizes the screen through a career-best performance in Frances O’Connor’s wildly unique biopic ‘Emily’ - a look at the life of Emily Brontë.
Read MoreLuca Guadagnino delivers another tour-de-force film in Bones and All, featuring career-best performances from Taylor Russell and Timothée Chalamet, and should be considered one of the most masterful pictures of the year.
Read MoreAlejandro G. Iñárritu’s BARDO, False Chronicle of a Handful of Truths is an excessively self-indulgent piece of claptrap that overcomplicates a simple premise that becomes minimally thoughtful in the process. Here’s our review of a surprisingly awful film..
Read MoreIn Marvel Studios’ latest Special Presentation, the Guardians of the Galaxy return for a breezy adventure that sees Drax and Mantis journey to Earth in an attempt to learn more about Christmas. James Gunn has proven that even without the most exciting story, this group are among the best superhero characters on screen today.
Read MoreNeil Marshall makes his best movie in a long time in The Lair. While it may not satiate fans of serious, character-driven cinema, it can appease those looking to switch their brain off an enjoy a ride for a little while.
Read MoreOccasionally, it needs to be restated that Happy Feet, Babe, Lorenzo’s Oil, and the Mad Max series were all directed by the same man. Director George Miller’s resume is astonishing, but while we praise his vision and command of imagery as a director, we cannot ignore he is a truly gifted storyteller. He proves it again with Three Thousand Years of Longing.
Read MoreMemoria’s ephemeral nature makes it a one-of-a-kind cinematic experience, even if the movie itself feels incomplete, through a series of very loud noises. Having said this, seeing Memoria in a movie theater is definitely an experience unlike any other and was tailor-made for complete cinematic engulfment.
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