The basis of an interesting short film is there, but not a nearly two-hour film in which characters constantly mope around and do practically nothing to advance the plot or develop its characters and world. As a result, Earwig may very well be the most interminable film of the entire Toronto International Film Festival and one of the most disappointing films of the year.
Read MoreAn all too familiar addition to an already oversaturated subgenre, director Rob Savage follows up his debut feature ‘Host’ with ‘Dashcam’, another pandemic horror film that seems to aim at audience’s patience, rather than their ability to be frightened.
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