‘Ink’ Review: Danny Boyle’s Disappointing Indictment of Tabloid Journalism Barely Scratches the Surface [TIFF 26]

Beyond the use of AI slop, Danny Boyle’s ‘Ink’ does little to interrogate the figures at the heart of his indictment of tabloid journalism.

Festival Review, TIFF, Movie ReviewMaxance VincentSeptember 19, 2026Ink, Danny Boyle, Movie Review, Drama, TIFFComment

'Possible Love' Review: An Intricate Poem of Love, Loss, and Disparity [TIFF 2026]

‘Possible Love’ may be one of Lee’s strongest relationship studies, exploring the dynamics between two couples living vastly different lives. Beyond relationship quirks and connections, Lee paints a picture of how circumstance and class shapes who we are and how we navigate our bonds with others.

TIFF, Foreign FilmTayler WellsSeptember 17, 2026toronto international film festival, TIFF, TIFF 2026, Possible Love, Lee Chang-DongComment

‘Bunker’ Review: Florian Zeller Makes Yet Another Horrendous Melodrama [TIFF 2026]

Despite impassioned performances by Penélope Cruz and Javier Bardem, Florian Zeller has proven incapable of making thought-provoking films as his flop streak continues with ‘Bunker’.

Festival Review, TIFF, Drama, Movie ReviewMaxance VincentSeptember 15, 2026Bunker, Reviews, TIFF, Drama, Florian ZellerComment

'Furies' Review: A Fiery Tale of the Bonds Between Sisters [TIFF 2026]

‘Furies’ promises to be a ride that is at its core a story with a loud thumping heartbeat that is sure to win viewers over.

Foreign Film, TIFFBrennan DubéSeptember 14, 2026Furies, Furies movie review, toronto international film festival, TIFF, TIFF 2026Comment

'The Julia Set' Review: A Sweet But Cliché Taste of Academia [TIFF 2026]

Despite pushing a sweet message and starring the unquestionably talented Chase Infiniti, ‘The Julia Set’ falls flat, overladen with common academic clichés and cartoonish characterizations.

'Ladies and Gentlemen, Brian Mulroney' Review: A Documentary Experience For The Ages, You Have To See It To Believe It [TIFF 26]

In its purest form ‘Ladies and Gentlemen, Brian Mulroney’ feels as if you went down a YouTube rabbit hole several hours past when your brain told you it's time to go to bed, you can’t quite compute things accurately anymore but you are still feasting on information to the point of overload.

'Everybody Wants to F*ck Me' Review: A Searing Portrait of the Performative Male [TIFF 2026]

‘Everybody Wants to F*ck Me’ is a satirical look into manipulation in the dating world, which will surely strike a chord of truth with many viewers that are currently swiping on apps and suffering through first dates.

‘River’ Review - Joshua Giuliano’s Relentless Debut Effort Is A Masterclass In Slasher Tension [TIFF 2026]

The slasher genre welcomes a new force with ‘River’, a unique project that refuses to take its foot off the gas pedal.

Festival Review, Horror, TIFFJoseph SimonSeptember 12, 2026River, Jane Levy, Max Mattern, Joshua Giuliano, TIFF, TIFF 26Comment

‘Everest: The Other Side’ Review: A Vertigo-Inducing IMAX Experience [TIFF 2026]

Elizabeth Chai Vasarhelyi and Jimmy Chin’s ‘Everest: The Other Side’ will make your palms sweat and your heart race by simply showing an extreme sport you’ve likely never seen realized this way.

Festival Review, Documentary, TIFFMaxance VincentSeptember 12, 2026Everest: The Other Side, Documentary, Elizabeth Chai Vasarhelyi, Jimmy Chin, TIFFComment

‘No Other Choice’ Review: Park Chan-wook’s Masterpiece of Pure Cinema [TIFF 25]

Park Chan-Wook redefines his filmography with his adaptation of Donald Westlake’s ‘The Ax’ in ‘No Other Choice’ and offers a once-in-a-generation lesson of pure cinema that anyone who appreciates the art form must see.

'Roofman' Review: Doesn't Quite Stick The Landing [TIFF 25]

For Channing Tatum fans, this is definitely not a film to miss – as always, he is a standout as his natural charisma brings a lot of life to ‘Roofman’ and makes the film more than worthwhile. Other audience members may not be convinced.

'If I Had Legs I'd Kick You' Review: Rose Byrne’s Descent Into Chaos [TIFF 25]

While ‘If I Had Legs I’d Kick You’ may be inconsistent at times, Rose Byrne stuns in role as chaotic and spiralling mother who, despite her best efforts, is trapped in one dark spiritual hole after another.

'The Testament of Ann Lee' Review: A Religious Pilgrimage of Epic Proportions [TIFF 25]

Even for the areligious viewer, Amanda Seyfried’s Ann, her passion and her fervor are tremendously transfixing in Mona Fastvold’s ‘The Testament of Ann Lee’.

'Orwell: 2+2=5' Review: Raoul Peck's Latest Has A Strong and Eerily Relevant Thesis [TIFF 25]

Frighteningly prescient, renowned documentarian Raoul Peck navigates through generations of fascism with the words of George Orwell.

Documentary, Festival Review, Movie Review, TIFFArjun PersaudSeptember 8, 2025Orwell 2+2=5, Orwell 2+2=5 Review, Movie Reviews, TIFF25, TIFFComment

'Poetic License' Review: Hoffman Steals The Show in Sweet Campus Comedy [TIFF 25]

‘Poetic License’ is sweetheart, laugh-out-loud comedy, well-acted by the entire cast. Taking place on a university campus at the beginning of the Fall semester, is a perfect movie to watch on a cozy autumn day – fresh and unexpectedly great, this isn’t one to miss.

Motor City Review: A Revenge Tale in Need of More Drive [TIFF 25]

Director Potsy Ponciroli brings us ‘Motor City’ into the Toronto International Film Festival and the film presents an interesting dynamic - There is almost zero dialogue. While Alan Ritchson, Ben Foster and Shailene Woodley give loud performances, it may not be enough to save this city without sound.

'Fallen Leaves' Review: Lonely Lovers in the Unforgiving World [TIFF 2023]

‘Fallen Leaves’ is tender and sweet, despite some dark themes that surround the main characters both personally and in the world around them. With an achingly short runtime of 81 minutes, this deadpan tragicomedy shouldn’t be missed.

'Dumb Money' Review: This Financial Fiasco Drama Is Both Funny and Flimsy [TIFF 23]

‘Dumb Money’, as an adaptation, feels both timely, and too soon. Nonetheless, the film’s message is evergreen, and its ensemble is more than enough to carry a well-enough put together film to being a good time.

Comedy, Festival Review, Movie Review, TIFFArjun PersaudSeptember 8, 2023Dumb Money, Paul Dano, TIFF, TIFF 2023, Review of Dumb Money, Dumb Money Review, ReviewComment

'Aftersun' Review: A Tender Glimpse at a Father-Daughter Bond on Vacation [TIFF 2022]

Ultimately, Afterson was one of the best of the Toronto International Film Festival this year, with real performances and raw, honest filmmaking. Filmmaker Charlotte Wells is able to find her own style easily, regardless of this film being her debut feature.

'The Son' Review: Like Father, Not So Much Like Son [TIFF 2022]

If the cast of The Son wasn’t star-studded, it would absolutely be ignored by pundits and audiences alike. This is a disappointing second film from director Florian Zeller, and movie-watchers may be hesitant to trust future projects from him after this sophomore effort.