Studio Ponoc gets spirited away with its unrefined Ghibli-esque musings, The Imaginary manages to do so with sincerity making for a much-needed reminder of the necessity of creativity during a time when things seem especially bleak.
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‘First Play’ serves more as a thriller than a drama though and takes a certain level of comfortability with serious topics to be able to watch. Hopefully, with it’s success on the platform, Netflix will go back to giving more artists a creative domain to showcase their newest works.
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The Good Nurse takes the concept of a slow-burn mystery and fundamentally misunderstands it - instead of sparking a fire and letting it gradually flare into something spectacular, the film piles way too many logs onto a weak flame until all glimpses of light are extinguished and fizzle away.
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Following the success of previous partnerships such as ‘Free Guy’, director Shawn Levy and Ryan Reynolds team up once again for a refreshing and family friendly entry into the time-travel genre with the low stakes Netflix offering, ‘The Adam Project’.
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Navot Papushado’s Gunpowder Milkshake has plenty of flash and style, but forgets that story and character should come first before trying to expand their universe for multiple sequels and spin-offs.
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Under the intricately crafted script and blessing of the story’s original playwright, the late Matt Crowley, “The Boys in the Band” magnifies the lives of eight gay men (and one “straight” one) inside a flaming powder keg of a birthday party.
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Netflix’s “Enola Holmes” is a fresh, pop-feminist spin on the beloved detective genre that is well worth your watch time.
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