‘The Debut’ is further proof of Jesse Eisenberg as a major filmmaking talent. This is his biggest film to date and it really excels in its more showy, grandiose moments, yet never loses sight of grounding itself in a sense of tangibility
Read MoreBeyond the use of AI slop, Danny Boyle’s ‘Ink’ does little to interrogate the figures at the heart of his indictment of tabloid journalism.
Read More‘Possible Love’ may be one of Lee’s strongest relationship studies, exploring the dynamics between two couples living vastly different lives. Beyond relationship quirks and connections, Lee paints a picture of how circumstance and class shapes who we are and how we navigate our bonds with others.
Read MoreMike Leigh, one of our modern greats, leaves us with a incredibly personal and aptly tender farewell film in ‘Tender Loving Care’.
Read MoreDespite impassioned performances by Penélope Cruz and Javier Bardem, Florian Zeller has proven incapable of making thought-provoking films as his flop streak continues with ‘Bunker’.
Read MoreDirector Peter Farrelly decides to tell the underdog story behind the underdog story in a heartwarming, albeit low-stakes award contender, ‘I Play Rocky’.
Read MoreSomeone, someday, and honestly maybe they already have, will tell a good story and execute a good film surrounding this premise. Unfortunately, ‘Paradise Lost’ is not that film.
Read MoreDirector Rachel Morrison’s sophomore outing, ‘Love Of Your Life’ retains the emotional sensibilities of her knockout debut, albeit in a somewhat dull story.
Read More‘Furies’ promises to be a ride that is at its core a story with a loud thumping heartbeat that is sure to win viewers over.
Read MoreDespite pushing a sweet message and starring the unquestionably talented Chase Infiniti, ‘The Julia Set’ falls flat, overladen with common academic clichés and cartoonish characterizations.
Read MoreImpassioned performances from Ruth Madeley and Mark Ruffalo save Sian Heder’s ‘Being Heumann’ from being a misfire, but the film’s flaws stick out like a sore thumb.
Read MoreIn its purest form ‘Ladies and Gentlemen, Brian Mulroney’ feels as if you went down a YouTube rabbit hole several hours past when your brain told you it's time to go to bed, you can’t quite compute things accurately anymore but you are still feasting on information to the point of overload.
Read More‘Everybody Wants to F*ck Me’ is a satirical look into manipulation in the dating world, which will surely strike a chord of truth with many viewers that are currently swiping on apps and suffering through first dates.
Read MoreThe slasher genre welcomes a new force with ‘River’, a unique project that refuses to take its foot off the gas pedal.
Read MoreElizabeth Chai Vasarhelyi and Jimmy Chin’s ‘Everest: The Other Side’ will make your palms sweat and your heart race by simply showing an extreme sport you’ve likely never seen realized this way.
Read MoreCristian Mungiu’s ‘Fjord’ delivers a beautiful yet deeply isolating and singular narrative about a family in crisis, making for one of this year’s best.
Read More‘Clarissa’, the latest film from Arie and Chuko Esiri, which swaps Virginia Woolf’s 1920’s London for both a contemporary and 1980’s/90’s Nigeria in a brilliant reimagining of the classic.
Read MoreWith a more contemplative approach to filmmaking, Steven Soderbergh reflects on his legacy through one of Ian McKellen’s best-ever performances in ‘The Christophers’, and marks the beginning of his late stage.
Read MoreThanks to its assured sense of style and magnifying performances from Tessa Thompson and Nina Hoss, director Nia DaCosta crafts her best-ever film with a modern adaptation of Henrik Ibsen’s Hedda Gabler and takes ‘Hedda’ in more daring directions than its original author ever envisioned.
Read MorePark Chan-Wook redefines his filmography with his adaptation of Donald Westlake’s ‘The Ax’ in ‘No Other Choice’ and offers a once-in-a-generation lesson of pure cinema that anyone who appreciates the art form must see.
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