Following in the footsteps of abysmal prior efforts, ‘Kraven The Hunter’ seemingly ends Sony’s extended universe with a limp, lifeless comic book film that fails to excite or intrigue.
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Eddie and Venom are back on the big screen for one final adventure in ‘Venom: The Last Dance’, a conclusion that is emotionally limp and easily the weakest of the trilogy.
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The merc with the mouth is finally joining the MCU in the long-awaited ‘Deadpool and Wolverine’, a comic book film that not only expertly brings him into the fold, but delivers the team-up fans have been dreaming of and then some.
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Sony’s Spider-Man-adjacent universe continues with ‘Madame Web’, yet another messy, empty attempt at creating an extended universe worth getting invested in.
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The DCEU is finally coming to a close with ‘Aquaman and The Lost Kingdom’, a sequel that may not reach the heights of its predecessor, but still delivers an entertaining sendoff for the cinematic universe.
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After a bumpy road to the silver screen, audiences are finally able to see ‘The Flash’, a superhero film that has glimmers of brilliance, but buckles under its own ambition… but at least it has Michael Keaton.
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Ever since Spider-Man: Into The Spider-Verse was released in 2018, animated movies have been held to an entirely new standard. Could it’s highly anticipated sequel Across The Spider-Verse: Part 1 make the comics feel vibrant once again and match the original?
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DC’s goofy, lovable superhero has returned to the silver screen in ‘Shazam! Fury of the Gods’, a sequel that is able to take the training wheels off and let the character truly fly.
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Ultimately, ‘Ant-Man and the Wasp: Quantumania’ is a mixed bag. While it may take too long to find its footing and deliver the start to Phase 5 Marvel fans have been eagerly anticipating, there are certainly some memorable pieces audiences will take away from the film.
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In Marvel Studios’ latest Special Presentation, the Guardians of the Galaxy return for a breezy adventure that sees Drax and Mantis journey to Earth in an attempt to learn more about Christmas. James Gunn has proven that even without the most exciting story, this group are among the best superhero characters on screen today.
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After 15 years in development purgatory, Black Adam is finally hitting theaters, giving audiences their first glimpse of Dwayne Johnson’s man in black - an anti-hero he was truly born to inhabit.
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Werewolf by Night offers a howlin’ good time, and is sure to satisfy comic fans and horror fans alike, making a great case for further adventures into fear within the Marvel universe. As Marvel’s first film under the ‘Special Presentation’ banner, Werewolf should mark the first of many.
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The God of Thunder has returned in director Taika Waititi’s highly anticipated Asgardian sequel, Thor: Love and Thunder. Fortunately, fans of the brawny hero will not be disappointed with this colorful, hilarious, and heartfelt entry into the ever-expanding MCU.
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With Doctor Strange In The Multiverse of Madness, director Sam Raimi makes his MCU debut, resulting in a wild, visually stunning film that pushes the boundaries of its characters and world into exciting new territory.
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After numerous delays, Morbius is finally hitting theaters this weekend. Though it’s not nearly as awful as the general consensus would make one believe, this half-baked comic book film could have benefited from more time in the oven.
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Matt Reeves’ ‘The Batman’ hits theaters worldwide this Friday, having spent over a year on millions of most-anticipated releases list. How does this ninth Batman solo film keep it fresh and stand up to its other Caped-Crusader competitors, as well as a vocal minority of harshly-skeptical Bat-fans?
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Whether it’s the reliably stunning visuals, the stimulating action, the gorgeous set pieces against the backdrop of New York City, the funny and charming performances, or the incredible amount of heart interwoven into the story, it’s impossible to watch Spider-Man: No Way Home and walk out of it without feeling ready to take on the world.
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With a timeline for the Marvel characters that spans from the big bang to any given point in the future, a smorgasbord of characters to focus on, and cosmic, world-ending plots that trivialize other superheroes' premises, a film adaptation involving The Eternals, always had the potential to be a little scattered, at best.
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With James Gunn at the helm, The Suicide Squad is a self-aware, gore-filled, anti-Superhero comedy that was tasked with resuscitating the franchise and providing a shot in the arm to the DCEU. Being Warner Brothers’ and DC’s second stab at Task Force X, and with viral campaigns targeting the DCEU constantly, there was a lot of pressure for this film to perform and please audiences
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Natasha Romanoff’s solo film doubles as an origin story and a peek into what happened to Natasha following the events of 2016’s CAPTAIN AMERICA: CIVIL WAR, but is it too late?
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