Kristen Stewart and Alia Shawkat pair up for the year’s best hangout movie with ‘The Wrong Girls’, a movie that functions best when you don’t try to think about it too much.
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While the laughs may not flow as much as the first two films in the franchise, the Broken Lizard crew still gives us a hefty dose of shenanigans with ‘Super Troopers 3’.
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After making a splash with beloved rom-coms like ‘Easy A’, director Will Gluck is back with ‘One Night Only’, a rom-com that fails to follow through on the potential of its fun high-concept premise.
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Thanks to its committed performances and an impeccably controlled aesthetic palette, director Nicky Murphy gives us a mockumentary for the ages in ‘I Love Paris’, which can even put What We Do In the Shadows to shame.
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While brief, Makoto Ueda crafts a highly playful meta-comedy with ‘You Are the Film’ and awakens our innate love of cinema as a unifying art form.
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Jane Schoenbrun tackles a lot in ‘Teenage Sex and Death at Camp Miasma’ that it almost feels like it’s going to collapse in on itself, until it doesn’t and opens up in ways you never expected from the outset.
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Olivia Wilde’s latest directorial effort ‘The Invite’ is just as hilarious as it is impressive, making for one of the year’s best.
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The chaotic Minions are back for the third instalment in their franchise with ‘Minions & Monsters’, a surprisingly charming adventure that lovingly pays homage to the golden age of Hollywood.
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Short, sweet, and blending the old with the new, ‘Jackass: Best and Last’ is less swan song and more victory lap. Longtime fans and new viewers alike will find a lot to appreciate in this theatrical riot.
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John Early’s convincing performance as ‘Maddie’s Secret's titular character saves a rather perplexing experience that doesn’t know whether to fully lean into its satirical provocations or seriously explore the protagonist’s secret.
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After a seven year hiatus, Woody and the gang are back on the big screen in ‘Toy Story 5’. Though this sequel is timely in its exploration of toys versus technology, this is ultimately an entertaining, but unnecessary new installment.
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Ol Parker’s latest romantic comedy, ‘Office Romance’, is frequently bizarre and, in many respects, painfully unfunny. However, once Jennifer Lopez and Brett Goldstein are paired together, it’s pure movie magic.
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After laying dormant for over a decade, the beloved spoof franchise is back in the hands of the Wayans brothers once again. Unfortunately, ‘Scary Movie’ is a dated, deeply underwhelming return for the comedy series.
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After years in development hell, ‘Masters Of The Universe’ is finally hitting theatres from director Travis Knight and this new iteration is worth the wait, delivering a candy-coated cosmic adventure that is sure to entertain passionate fans and non-fans alike.
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While ‘Ladies First’ boasts a fun cast, the movie’s morals are even more dated and regressive than its French-language 2018 original.
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After a three year absence, writer/director John Carney returns with his latest film ‘Power Ballad’. Though this music film may not be pitch perfect, it strikes a lot of the right chords.
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Horror fans have been eating well this year with a myriad of refreshing new entries into the overpopulated genre. However, writer/director Curry Barker’s ‘Obsession’ takes your expectations and laughs at them as it toys with them, becoming the year’s best new addition so far.
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The seemingly interminable wait is over for fans hungry for more blood and carnage as ‘Mortal Kombat II’ hits theaters at long last. Fortunately, the long awaited follow-up is a welcomed course correction that embraces the source material far more than its lackluster predecessor.
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After two decades of heavy anticipation, fans will finally be able to feast their eyes on ‘The Devil Wears Prada 2’, a sequel that may not reach the dizzying heights of its beloved predecessor, but brings with it plenty of glitz, glamour, and entertainment value.
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Chandler Levack celebrates the vibrancy of Montreal with her lovingly constructed ‘Mile End Kicks’, despite screenwriting and pacing issues that prevent the film from being a memorable tribute to the city.
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