John Early’s convincing performance as ‘Maddie’s Secret's titular character saves a rather perplexing experience that doesn’t know whether to fully lean into its satirical provocations or seriously explore the protagonist’s secret.
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After a seven year hiatus, Woody and the gang are back on the big screen in ‘Toy Story 5’. Though this sequel is timely in its exploration of toys versus technology, this is ultimately an entertaining, but unnecessary new installment.
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Ol Parker’s latest romantic comedy, ‘Office Romance’, is frequently bizarre and, in many respects, painfully unfunny. However, once Jennifer Lopez and Brett Goldstein are paired together, it’s pure movie magic.
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After laying dormant for over a decade, the beloved spoof franchise is back in the hands of the Wayans brothers once again. Unfortunately, ‘Scary Movie’ is a dated, deeply underwhelming return for the comedy series.
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After years in development hell, ‘Masters Of The Universe’ is finally hitting theatres from director Travis Knight and this new iteration is worth the wait, delivering a candy-coated cosmic adventure that is sure to entertain passionate fans and non-fans alike.
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While ‘Ladies First’ boasts a fun cast, the movie’s morals are even more dated and regressive than its French-language 2018 original.
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After a three year absence, writer/director John Carney returns with his latest film ‘Power Ballad’. Though this music film may not be pitch perfect, it strikes a lot of the right chords.
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Horror fans have been eating well this year with a myriad of refreshing new entries into the overpopulated genre. However, writer/director Curry Barker’s ‘Obsession’ takes your expectations and laughs at them as it toys with them, becoming the year’s best new addition so far.
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The seemingly interminable wait is over for fans hungry for more blood and carnage as ‘Mortal Kombat II’ hits theaters at long last. Fortunately, the long awaited follow-up is a welcomed course correction that embraces the source material far more than its lackluster predecessor.
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After two decades of heavy anticipation, fans will finally be able to feast their eyes on ‘The Devil Wears Prada 2’, a sequel that may not reach the dizzying heights of its beloved predecessor, but brings with it plenty of glitz, glamour, and entertainment value.
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Chandler Levack celebrates the vibrancy of Montreal with her lovingly constructed ‘Mile End Kicks’, despite screenwriting and pacing issues that prevent the film from being a memorable tribute to the city.
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While more commercial than her previous films, Chandler Levack’s humanist touch seeps through every aspect of her funny and achingly moving ‘Roommates’, anchored by two brilliant performances from Sadie Sandler and Chloe East.
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Arguably, ‘The Super Mario Galaxy Movie’ may do its job, entertaining fans and younger viewers, but it lacks a heart, and ultimately just doesn’t feel worth the price of admission. At the end of the day, playing these games may be time better spent, allowing viewers to instead immerse themselves as players.
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It’s violent and silly enough to be mildly entertaining, although it’s punching below the original’s previously set standards. Ready or Not 2: Here I Come tries and fails to go big, and goes home as a reminder that less is more.
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Directors Phil Lord and Christopher Miller are back at it again, this time adapting Andy Weir’s beloved novel ‘Project Hail Mary’, delivering a miraculously well-made sci-fi adventure that is as ceaselessly entertaining as it is achingly hopeful.
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What happens when three nuns and a young boy go on a journey across New Zealand? You get one of the best indie movies of the year in ‘Holy Days’.
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Ghostface and his iconic getup are back to terrorize Sidney Prescott yet again in ‘Scream 7’ - a fierce, fun, but ultimately messy sequel that shows a franchise that is beginning to show signs of wear and tear.
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Writer/director John Patton Ford returns with ’How To Make A Killing’, a deliciously entertaining tale of how the pursuit of money and status can corrupt and poison, which showcases yet another stellar turn from Glen Powell.
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After two decades, Sam Raimi finally returns with another R-rated feature in ‘Send Help’, a gnarly, ferocious return to form that will remind audiences what a wildly fun and singular filmmaker he is.
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‘Marty Supreme’, which marks Josh Safdie’s solo directorial debut is equal parts ambitious and assured, making for one of the best films of the year.
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