Unsettling and emotionally effective all the same, ‘Bring Her Back’ is a very solid horror-thriller, which has no shortage of stunning emotional beats and set-pieces, merging together into one of the year’s finest so far.
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All we have to say about ‘Clown in a Cornfield’ is keep the clowns away. They’re always going to be scary - whether they haunt or nightmares or they’re simply a poor suggestion on your playlist.
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For the first time in a long time, a Sony Pictures adaptation, specifically the video game adaptation of ‘Until Dawn’, appeared to bear at least some semblance of hope from the outside looking in. It didn’t happen.
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There more than a little Monkey-business going on, as Director Osgood Perkins’ latest film, ‘The Monkey’ is certainly not on the level of his ‘Longlegs’, as the film struggles with tonal coherency.
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‘Nosferatu’ may truly be Robert Eggers’ best film yet. He fired on all cylinders here and delivered a spirited modern rendition of a classic story that belongs in the same hallowed halls as the 1922 original from which it was wrought.
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The aptly named ‘Smile 2’, Parker Finn’s sequel to the successful ‘Smile’ offers new themes and great performances, although it can still a feel a bit too familiar.
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‘The First Omen’ is a traditional prequel in the way that it unfortunately fails to justify its own existence, falling into the busy chasm of efforts long lost, doomed to the same fate.
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Whichever way you spin it critically, Eli Roth’s ‘Thanksgiving ‘has certainly been a financial success, and a sequel would be no surprise, despite the fact the film isn’t anything to truly be thankful for.
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