There more than a little Monkey-business going on, as Director Osgood Perkins’ latest film, ‘The Monkey’ is certainly not on the level of his ‘Longlegs’, as the film struggles with tonal coherency.
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‘Nosferatu’ may truly be Robert Eggers’ best film yet. He fired on all cylinders here and delivered a spirited modern rendition of a classic story that belongs in the same hallowed halls as the 1922 original from which it was wrought.
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The aptly named ‘Smile 2’, Parker Finn’s sequel to the successful ‘Smile’ offers new themes and great performances, although it can still a feel a bit too familiar.
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‘The First Omen’ is a traditional prequel in the way that it unfortunately fails to justify its own existence, falling into the busy chasm of efforts long lost, doomed to the same fate.
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No matter where that scenario goes though, from a purely artistic standpoint, The Exorcist: Believer is a fine achievement. It understands the horror standard on which it’s based to a notable degree, offers more than a few memorable moments, and delivers on being more than basic blockbuster horror.
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‘The Nun 2 ‘ may not suit everybody, but anyone willing to give it the time of day should find something to appreciate. It’s a thoroughly satisfying horror blockbuster that bends the genre’s common clichés, though it doesn’t break them.
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