Just in time for Valentine’s Day, director Zelda Williams has brought audiences ‘Lisa Frankenstein’, a quirky, charming throwback that is destined for cult classic status.
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While ‘The Book of Clarence’ boasts great lead performances and a terrific sense of style, its thematic underpinnings through its theological setting are all surface-level, unafraid to question anything it unevenly presents.
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Jeffrey Wright delivers the best performance of his career in Cord Jefferson’s ‘American Fiction’, which draws a timely satire on our politically correct-driven era.
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‘My Big Fat Greek Wedding 3’ could’ve been an enjoyable sequel, but it instead re-treads to distasteful and lethargic humor, essentially putting the nails in the coffin for the future of the franchise.
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Despite a predictable story, ‘You Are So Not Invited to My Bat Mitzvah’ remains a fun coming-of-age tale filled with great performances and perfectly-timed comedy.
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Despite a committed performance from Taylor Zakhar Perez, the Hallmark-lite aesthetic of Red, White & Royal Blue ruins anything it tries to establish.
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Ben Kingsley gives an incredible performance in Marc Turtletaub’s ‘Jules’, but can’t prevent the movie from falling short of its overall ambitions.
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Despite some narrative stretches in its latter half, Juel Taylor’s ‘They Cloned Tyrone’ remains an enjoyable watch, thanks to the contributions of John Boyega, Teyonah Parris and Jamie Foxx.
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Despite assured performances from Pierce Brosnan, Ellen Barkin, Richard Kind, Julie Hagerty and Michael Rooker, ‘The Out-Laws’ is the year’s most irritating and unfunniest movie.
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If you’re looking for laughs this long weekend - Ashley Park, Sherry Cola, Stephanie Hsu, and Sabrina Wu provide non-stop laughs in ‘Joy Ride’, one of the funniest and most energetic comedies of the year.
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‘Asteroid City’ is another triumph for writer/director Wes Anderson, solidifying his status as one of the greatest (and quirkiest) auteurs of our time.
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Dexter Fletcher’s ‘Ghosted’ doesn’t feel like an actual filmmaker directed it but as if it were constructed by an A.I. who recently learned what the word “content” means.
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While Ben Affleck’s ‘Air’ may be approached in an incredibly paint-by-numbers structure, its high spirits will make you leave the theater happy.
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While When You Finish Saving the World has interesting ideas and good performances, the film can’t help but feel smug especially with how director Jesse Eisenberg casts Finn Wolfhard as a younger version of himself.
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Rosaline, anchored by another star performance from Kaitlyn Dever, provides a cute, brisk, and spirited romantic comedy that makes the most of its fun premise and confines, and is sure to please Shakespeare fans and anyone looking for a laugh and a good time.
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Whether you want to laugh or you want to see a sincere story about gender, sexuality, a little bit of magic, and male friendship, actor Marc Duplass’ creation, Biosphere, will help you find a way.
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While Mark Wahlberg and Kevin Hart infuse some much-needed comedic levity in Me Time, its uninspired and unfunny plot makes the case that most Netflix movies aren’t meant to be actively watched.
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J.J. Perry’s Day Shift may not be anything new or original, but it ends up being a memorable balls-to-the-walls vampire-action film that’s best experienced with a group of people (or in a midnight screening.
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Cooper Raiff’s Cha Cha Real Smooth is that good, even if it isn’t perfect. A couple of predictable beats prevent it from soaring the way it should, but with fantastic performances from its leads, and the film’s sharp script, it can be counted as one of the best comedies this year.
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One of the bigger draws at this years’ SXSW, Spin Me Round features Alison Brie leading an all-star comedic cast in a part mystery, part rom-com,, part Italian misadventure. However, by the time the aptly titled Spin me Round stops spinning, audiences aren’t quite sure what movie they just watched.
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