Sofia Coppola doesn’t pretend to be objective in her portrait of Marc Jacobs in ‘Marc by Sofia’, and the film benefits from her subjective perspective on the iconic fashion designer.
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‘Priscilla’ shows that perhaps Sophia Coppola lost interest in the project at some point; haphazardly representing a harrowing tale of physical and psychological abuse with stiff and unintentionally hilarious acting from its two leads and few redeeming qualities in its presentation.
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Bill Murray turns in yet another delightful performance in his big-screen reunion with Sofia Coppola, and his chemistry with Rashida Jones allows “On the Rocks” to overcome the flaws that become apparent when he isn’t on screen.
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