Clint Eastwood gives aspiring filmmakers a true lesson in shot-reverse-shot with ‘Juror #2’, a gripping procedural thriller on the fallacies of our legal system(s).
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Andrea Arnold turns her social realist lens into a magical one with ‘Bird’ and fails at drawing any meaningful arcs on its central characters despite a constantly assured stylistic touch.
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Mohammad Rasoulof confronts and rejects state propaganda in his daring and courageous The Seed of the Sacred Fig and makes the most critical piece of political media of the decade so
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While ‘Goodrich’ is nothing completely unique, it flourishes due to the charisma and gravitas of Michael Keaton, resulting in a tried-and-true kind of family drama, amplified by scattered moments of genuine resonance along the way.
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Sebastian Stan continues to do great work in the independent sphere with an often engrossing, though underwhelming, character study in Aaron Schimberg’s ‘A Different Man’.
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Novelist Stephen King and director Mike Flanagan are both maestros of horror, but ‘The Life of Chuck’ shows the tremendous sensitivity both men have towards life, love and humanity. [TIFF 2024]
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While 'His Three Daughters' contains strong performances from its trio of lead actresses, writer/director Azazel Jacobs puts them in cyclical situations that never fully forms an emotional center with the event they’re going through.
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Nahéma Ricci gives another towering lead performance in Annick Blanc’s ‘Hunting Daze’, an often surreal thriller that, while terrifically intriguing, loses itself in its second half.
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Sean Wang’s feature directorial debut, 'Dìdi' (弟弟), is a poignant, often painful coming-of-age tale that anyone can relate to, with a towering lead turn from Izaac Wang.
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Lily Gladstone continues to prove why they’re one of the best actors working today in ‘Fancy Dance’, a deeply moving and compassionate character drama.
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While ‘The Bikeriders’ is competently photographed, director Jeff Nichols seems too busy riffing on Martin Scorsese’s ‘Goodfellas’ than craft a compelling character drama.
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Zendaya gives the best performance of her career in Luca Guadagnino’s ‘Challengers’, an electrifying sports drama with dazzling bravura tennis sequences that beg the trip to the IMAX theater.
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While ‘The Old Oak’ isn’t as powerful as Ken Loach’s previous two films, its lead performances from Dave Turner and Ebla Mari intensify its dramatic impact and result in a must-see.
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With a magisterial lead performance from Deniz Celiloğlu and an ever-gripping visual style, Nuri Bilge Ceylan’s 197-minute ‘About Dry Grasses’ may be the best film of his career.
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While Lashana Lynch’s supporting portrayal of Rita Marley breathes life into ‘Bob Marley: One Love’, Reinaldo Marcus Green’s latest biopic joins the pantheon of empty spectacles designed to sell records.
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Nikolaj Arcel’s ‘The Promised Land ‘ contains one of Mads Mikkelsen’s greatest performances inside an old-school, but always riveting, character drama.
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While ‘The Kitchen’s sociopolitical underpinnings could’ve used more meat around the bone, its technical direction from Daniel Kaluuya coupled with lead performances from Kane Robinson and Jedediah Bannerman make it a worthwhile watch.
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Even those not fans of wrestling will laud The Iron Claw for its deeply human story, towering lead performance from Zac Efron and Holt McCallany at the height of his character acting powers. It may not be the easiest movie of the year to watch, but it’s one of the most impressive from a storytelling and acting perspective.
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‘The Zone of Interest’ contains two masterfully calculated performances from Christian Friedel and Sandra Hüller, who accompany Jonathan Glazer’s terrifying visual and aural nightmare.
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‘Priscilla’ shows that perhaps Sophia Coppola lost interest in the project at some point; haphazardly representing a harrowing tale of physical and psychological abuse with stiff and unintentionally hilarious acting from its two leads and few redeeming qualities in its presentation.
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