‘A Beautiful Day in the Neighborhood’ Review: A Reminder that Hope and Humanity Is Never Gone [TIFF 2019]

We might look at some of the forgotten childhood tidbits that have been chipped away from our soul and scoff at the idea, but A Beautiful Day in the Neighborhood reminds us not only are these things natural, they can come back into our lives easily. Here’s our review.

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‘Joker’ Review: Todd Phillips Ushers in a New Era of Auteur-Driven Comic-Book Films [TIFF 2019]

Joker utilizes the popularity of the comic book movie platform to deliver a new character story. In a repulsive, vile, and evil exploration of one of comics’ most iconic villains, Phillips changes the lens through which we view films in this genre.

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'Knives Out' Review: Rian Johnson’s Wickedly Sharp Murder Mystery Puts a Timely Twist on a Bygone Genre [TIFF 2019]

Not since “Clue” has there been such a wildly entertaining good old fashioned murder mystery. Rian Johnson breathes new life into a neglected genre with his Agatha Christie inspired throwback offering a timely modern twist on a classic favorite.

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Shia LaBeouf’s Cathartic ‘Honey Boy’ is a Harrowing examination of Hereditary addiction

The pitfalls of fame are in abundance, suffocating them from every angle and submerging them into maturity before they’re even ready. However, if you’re Shia LaBeouf, the environment may lead to severe emotional distress and he’s not afraid to share in his latest film, Honey Boy in which the writer/actor exercises a long overdue catharsis contextualizing the heartbreaking and complicated relationship between he and his father.

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'Booksmart' Review: A Wilde Comedic Ride [SXSW 2019]

At SXSW in March, debutante-director Olivia Wilde addressed the Austin crowd, announcing how she wanted to make Booksmart the next Breakfast Club or Clueless. Something tells me, three decades from now, a budding filmmaker will say she wants to make her film the next Booksmart.

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Jordan Peele’s 'Us' Review: A Sophomore Effort Which May Have Faults, But It Is No Slump [SXSW 2019]

What was clear at SxSW’s marquee opening of Peele’s Us, was that not only has Peele deservedly earned comparisons to iconic filmmakers, but that he couldn’t be more modest during this success. Peele, much like Serling can deftly create a world of science fiction or horror that shines a dark light on… well… Us.

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'Glass' is only Half Full in M. Night Shyamalan's Admirable, but Underwhelming Conclusion to the 'Unbreakable' Trilogy

For all it’s ambition “Glass” is half full offering an underwhelming conclusion to the “Unbreakable Trilogy”.

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‘Widows’ Review [TIFF 2018]

Luckily with Davis at the helm, steering this otherwise sinking ship, you can at least enjoy another powerful performance by this seasoned and award-winning actor.

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‘Green Book’ Review [TIFF 2018]

The story is really about our shared humanity despite differences, and while these characters do reinforce some stereotypes, it shatters others.

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‘Roma’ Review [TIFF 2018]

Alfonso Cuaron puts forth a beautiful cinematic work of art that will warm your heart only to break it, crashing down with authenticity and sincerity.

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‘First Man’ Review [TIFF 2018]

Damien Chazelle proves his versatility and expert craftsmanship as a filmmaker by blasting off with this exhilarating telling of the Apollo 11 mission.

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‘Halloween’ Review [TIFF 2018]

After 40 years, David Gordon Green delivers a merciless sequel worthy of the franchise name.

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‘A Star Is Born’ Review [TIFF 2018]

Cooper, deftly creates intimacy between Jackson and Ally, without which the story would certainly not be as successful. The film sucks you in from the beginning with the roar of a raucous concert audience, the hard beat of the drums on Jackson’s stage, and his hypnotic swagger as he plays for thousands.

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‘Beautiful Boy’ Review [TIFF 2018]

Groeningen has delivered an absolute resounding gut punch with devastatingly honest performances from Steve Carell and Timothee Chalamet that is sure to resonate with many audience members.

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'Destroyer' Review [TIFF 2018]

Nicole Kidman gives an unrecognizable tour de force performance in Karyn Kusama’s true crime drama Destroyer

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'The Predator' Review [TIFF 2018]

Shane Black’s return to The Predator franchise is a zany improvisational mess that forgets the identity of the past.

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