Martin McDonagh’s ‘Wild Horse Nine’, forged in his trademark style, reminds us that while life can be deadly serious, you can choose to look at any way you see fit.
Read MoreMark Anthony Green’s ‘Opus’ recycles the aesthetics and tropes A24 has firmly established itself upon and may accidentally reveal that their brand of “elevated” independent entertainment has grown stale after over a decade of films on the big screen.
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