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Park Chan-Wook redefines his filmography with his adaptation of Donald Westlake’s ‘The Ax’ in ‘No Other Choice’ and offers a once-in-a-generation lesson of pure cinema that anyone who appreciates the art form must see.
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Guillermo del Toro and Toronto have a special relationship, and debuting the filmmaker’s passion project, ‘Frankenstein’, at Toronto’s festival just seems fitting.
Read More!['Bad Apples' Review: Saoirse Ronan Shines In This Tonally Adept School Satire [TIFF 25]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1757730941828-C8IVJBTGWGNKYG8JQVJS/apples.png)
The sardonic comedy ‘Bad Apples’ plants itself in utter absurdity, and yet, it may be an effective public service announcement for education reform.
Read More!['Orwell: 2+2=5' Review: Raoul Peck's Latest Has A Strong and Eerily Relevant Thesis [TIFF 25]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/2eda7d6a-6f6b-486d-bd3e-be566124a287/Screenshot+2025-08-31+at+11.36.53%E2%80%AFAM.png)
Frighteningly prescient, renowned documentarian Raoul Peck navigates through generations of fascism with the words of George Orwell.
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Director Aneil Karia readapts Shakespeare’s masterpiece ‘Hamlet’ with Riz Ahmed and a distinctly digital and urban visual landscape.
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