‘Ma Rainey's Black Bottom’ Review: A Flat Adaptation, But A Soaring Sendoff for Chadwick Boseman

While Ma Rainey’s Black Bottom - like the play that inspired it - doesn’t quite capitalize on its opportunity for potent social commentary, this adaptation features incredible performances all around, including a career-best final turn from the late, great Chadwick Boseman that is sure to run as an Oscars favorite.

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‘Bruce Springsteen’s Letter to You’ Review: The Boss Walks Familiar Ground in a Musical Duel with Mortality

In “Letter to You”, Bruce Springsteen captures the creation of his latest album with longtime collaborator Thom Zimny. While it might be a bit too reminiscent of their previous film, it also has enough of a different perspective to offer in order to satisfy fans of The Boss.

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'Totally Under Control' Review: Spoiler... It’s Still Not Under Control

Even if you don’t have COVID-19, President Trump’s response to the pandemic is enough to make anyone sick. The new documentary, ‘Totally Under Control,’ demonstrates the recent lack of an efficient and cohesive plan of action to stop the spread of Coronavirus from the current President of the United States.

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'Hubie Halloween' Review: Sandler's Newest Netflix Feature Is More Trick Than Treat

After not receiving a nomination for Best Actor at the 2020 Oscars Adam Sandler vowed to make the worst movie that has ever existed. Hubie Halloween is not that film, but it’s still not that great. Struggling to find its target audience Hubie is mixed bag of genuine heartfelt moments and poop jokes that make you regret opening up the Netflix app.

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'Pieces of a Woman' Review: Vanessa Kirby Captivates In This Devastating Portrait Of Grief And Loss [TIFF 2020]

Pieces of a Woman” is not for the faint of heart; it’s a truly heartbreaking, intimate, unflinching, and harrowing look at one woman’s unimaginable loss and her process to recovery.

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'Concrete Cowboy' Review: A Gift-Horse The Filmmakers Looked In The Mouth [TIFF 2020]

Concrete Cowboy” is a story about a forgotten aspect of Black-America which needs to be told. That is why it is such a shame that it gets lost in an otherwise formulaic ‘coming of age’ film for inner-city youth.

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