“Tom Clancy’s Without Remorse” features a layered and charismatic lead performance from Michael B. Jordan, but the film around him largely lacks any character at all.
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“Stowaway” looks pretty and boasts a formidable cast, but its story feels much hollower than writer-director Joe Penna wants it to be.
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Off the wall action and relatable characters allow “Mortal Kombat” to make its case as the best video game adaptation ever made.
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Bob Odenkirk proves himself capable of being the next big action hero in “Nobody”, where his fighting prowess helps the film’s excellent action sequences overcome its flat story.
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Though Demi Lovato appears to be a willing subject, “Demi Lovato: Dancing with the Devil” falters in telling her story due to its narrative-chasing and sterilized delivery from Michael D. Ratner.
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A seasoned performer like Justine Bateman, who has done almost everything in terms of acting, seemingly has to invent a new ‘thing’ while directing her feature film debut. Her Violet can easily be defined as ‘experimental cinema’ as it isn’t your typical type of film in terms of format or the tools used. It can also, unfortunately, be easily defined as ‘obvious’
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The ‘Snyder Cut’ of “Justice League” released Thursday morning streaming exclusively on HBO Max. Is this original director’s cut a better film than its theatrical cut predecessor?
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Occasionally, audiences can find these hidden gems at the SXSW festival in comedy, science-fiction or horror, but occasionally, audiences may find something like Welsh-language thriller, The Feast.
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With “Raya and the Last Dragon” hitting screens this week, Disney’s new pants-wearing princess shows audiences how the House of Mouse does dragons.
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Tom and Jerry isn’t overly deep or groundbreaking, which it seemingly isn’t trying to do, but it works on the level of a nostalgia-filled respite for those looking for an innocent family film.
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“Cherry”, the newest film from the Russo brothers, is a coming-of-age odyssey exploring one man’s descent into addiction and destruction. Tom Holland’s performance electrifies an otherwise uneven viewing experience.
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Lee Daniels’ upcoming film ‘The United States vs Billie Holiday’ is a beautiful reminder of our connection to art, but it reminds us that often there is a responsibility in having a voice - that we must use art, when we can, to create change.
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As far as possessed animatronic films go, “Willy’s Wonderland” delivers ample blood, guts, and family fun helmed by a silent but deadly Nic Cage.
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The first words spoken in “Supernova” are a lovely little threat: “We’re not going back, you know.”
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Fran Kranz, a great comedian in his own right, has shown the world his adept grasp on the dramatic side of life with his directorial debut, “Mass.”
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It might be contentious among critics, and certainly targets a particular kind of film lover as its audience, but “Malcolm & Marie” is an absolute godsend of a film that demands viewing when it arrives on Netflix this Friday.
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It’s no masterpiece, and certainly falls victim to genre clichés and predictability, but “The Little Things” is enjoyable enough, standing largely on the shoulders of a punching-below-his-weight Denzel Washington.
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A Jay-Z-infused satire of the Indian caste system? We never thought we’d see it, until Netflix gave us “The White Tiger”.
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A triumphant success on all fronts, from its animation, to its story, to its jazz-infused otherworldly score, to Jamie Foxx’s expressive and moving lead performance, Pixar’s Soul stands with - perhaps even above - the animation juggernaut’s greatest films.
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“Wonder Woman 1984,” the latest film in the DC Extended Universe, reunites Gal Gadot as the titular Amazonian with co-star Chris Pine and director Patty Jenkins, and finally hits theaters and streaming on HBO Max on Christmas Day 2020.
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