Movie Reviews — FilmSpeak

'Bandit' Review: A Paint-By-Number Caper Using Only Primary Colors

Bandit is as simple and bland as its title. The plot is so recycled that the film production probably had a negative carbon footprint. The worst part is it didn’t have to be this boring, and it didn’t have to waste the cast which it had, and yet the only thing this Bandit stole was the time it took to watch the film.

'The Menu' Review: A Biting Satirical Thriller That Will Give Audiences Something to Taco 'Bout [TIFF 2022]

Regardless of your taste in film, the eclectic ensemble of The Menu gives you something you can sink your teeth into. The script, while perhaps nothing new in terms of premise or political commentary has enough twists and turns and an overall foreboding gloom that makes the film a delicious addition to the thriller genre.

Festival Review, Movie Review, Thriller, TIFFMichael Winn JohnsonSeptember 18, 2022The Menu (2022), Movie Review, Review of The Menu, TIFF 2022Comment

'No Bears' Review: Jafar Panahi Continues to Blur the Lines Between Fiction and Reality [TIFF 2022]

Jafar Panahi’s latest feature, No Bears, is one that continues to blur the line between fiction and reality. It is a subtle yet powerful and reflective work that should not be ignored.

TIFF, Review, Movie ReviewFilm SpeakSeptember 17, 2022iran, TIFF 2022, toronto international film festival, drama, jafar panahiComment

'Empire of Light' Review: Sam Mendes' Ode to Cinema is an Insincere Drag [TIFF 2022]

Empire of Light is well acted, well shot, and of course competently constructed. However, it is a hollow film that has very little to actually say. It is consistently insincere in its presentation, and for that it ultimately ends up feeling rather dull.

Festival Review, Drama, TIFFFilm SpeakSeptember 17, 2022tiff movie review, TIFF 2022, SAM MENDES, Olivia Colman, Roger Deakins, FilmComment

‘The Fabelmans’ Review: Spielberg’s Magic Touch Makes For Yet Another Masterpiece [TIFF 2022]

While this review certainly sings the praises of Steven Spielberg’s The Fabelmans ad nauseam, it’s very much a film that speaks for itself, and is just an incredible force of sincerity, love, and creativity that simply cannot be missed.

'Pearl' Review: She’s Back and Better Than Ever!

Pearl never takes itself too seriously, and just has a fun time with itself and with the audience. The racy content in X isn’t forgotten here, and despite it being 1918, pornography finds a way to impact the titular character just as it did in the first film.

Horror, Movie ReviewTayler WellsSeptember 16, 2022Pearl, Pearl Review, X, Ti West, Mia GothComment

'Glass Onion: A Knives Out Mystery' Review: A Layered Mystery of Gonzo Proportions [TIFF 2022]

Writer-Director Rian Johnson and Daniel Craig return with another stellar murder mystery with Glass Onion. Like its predecessor, this film boasts many of the same successful feats which lead to Knives Out becoming a franchise - An all-star cast firing on all cylinders, sharp direction, plot twists galore, and a whole lot of fun.

'Causeway' Review: Jennifer Lawrence Comes Home in Slow Burn Drama [TIFF 2022]

Causeway is an overarching human story that deal with its portrayal of pain, loss and acceptance with empathy. It may not handle all of its themes flawlessly but fantastic acting from Jennifer Lawrence and solid direction make this a drama worth watching.

Drama, TIFFJohn ShuttSeptember 16, 2022Causeway, Jennifer Lawrence, Brian Tyree Henry Comment

'The Greatest Beer Run Ever' Review: A Benign Buzzkill [TIFF 2022]

It’s almost ironic the way The Greatest Beer Run Ever wants to talk about the atrocities of war because it can’t decide what it wants to be itself. Marketed as a comedy and shot like a drama, the film is just a glimmer into comedy, drama and war.

'Women Talking' Review: Confronting The Patriarchy Both Then and Now [TIFF 2022]

Canadian director Sarah Polley brings her adaptation of Miriam Toews’ Women talking to TIFF, telling the story of resilience in the face of danger where a group of women must overcome the society around them.

'Aftersun' Review: A Tender Glimpse at a Father-Daughter Bond on Vacation [TIFF 2022]

Ultimately, Afterson was one of the best of the Toronto International Film Festival this year, with real performances and raw, honest filmmaking. Filmmaker Charlotte Wells is able to find her own style easily, regardless of this film being her debut feature.

'All Quiet on the Western Front' Review: A Familiar but Welcome War Drama [TIFF 2022]

While the prospect of yet another World War One movie may seem like a put-off to some at initial glance, All Quiet on the Western Front is able to bring an uniquely cinematic experience to the table.

'The Son' Review: Like Father, Not So Much Like Son [TIFF 2022]

If the cast of The Son wasn’t star-studded, it would absolutely be ignored by pundits and audiences alike. This is a disappointing second film from director Florian Zeller, and movie-watchers may be hesitant to trust future projects from him after this sophomore effort.

‘The Banshees of Inisherin’ Review: Only Martin McDonagh Can Make a Madcap Modern Fable Seem So True [TIFF 2022]

Martin McDonagh has crafted a modern day allegory in Banshees of Inisherin - a cinematic yarn that the small town elder tells kids as they ride their bikes through the midtown square. It serves as a lesson about love and loss, and more importantly, the reality of what those mean to those of us who wear our hearts on our sleeve.

‘My Policeman’ Review: Unless You’re a Styles Fan, This Won’t Be Your Policeman [TIFF 2022]

My Policeman, despite what it may hint at, fails to deliver a romance that meets its own storytelling ambition. It tragically leans on a misguided narrative instead of fleshing out the central love story the audience is meant to celebrate, and even the popularity of Harry Styles will not enough to draw in an audience.

'Raymond and Ray' Review: A Heartfelt and Often Funny Two-Handed Drama [TIFF 2022]

Thanks to the terrific lead performances from Ethan Hawke and Ewan McGregor, a solid supporting cast and a sharp screenplay, director Rodrigo Garcia is able to inject humanity into ‘Raymond and Ray’ making it extremely relatable to viewers.

‘Something You Said Last Night’ Review: A Beautifully Understated Vacation Story [TIFF 2022]

Something You Said Last Night is primed to be a gem ripe for discovery coming out of this year’s TIFF Festival, and will hopefully gain an audience and bestow its extremely resonant experience onto the larger film world.

'Decision to Leave' Review: The Master is Back and More Romantic Than Ever [TIFF 2022]

Complete with terrific performances, flawless editing, bewitching cinematography, and a story that will keep you hooked until you wake up the next morning Decision to Leave is everything audiences would expect from director Park Chan-wook.

Festival Review, TIFFTayler WellsSeptember 12, 2022Decision to Leave, Decision to Leave Review, Park Chan-wook, TIFF, TIFF 2022, Tang Wei, Park Hae-ilComment

‘Le Coyote’ Review: No Sophomore Slump for Director Katherine Jerkovic [TIFF 2022]

Le Coyote does not make any large pronouncements on life, and the high stakes revolve only around a single family’s attempt to heal itself. It is a slice of life which countless people endure on a daily basis, and the film’s strengths come from its authenticity and unruffled style, making it one of the most poignant and emotionally genuine films of the year.

'The Swimmers' Review: A Resounding Tale of Hardships and Hope [TIFF 2022]

The Swimmers is a distinctly unique celebration of triumph and success, with a rock-solid emotional core bound to evoke cries, cheers, laughs, and a feeling of hope when the credits start to roll.

Drama, Festival Review, Movie Review, TIFFArjun PersaudSeptember 12, 2022The Swimmers, Review of The Swimmers, TIFF 2022, Netflix, FestivalComment