Tornadoes are set to tear up the silver screen yet again in ‘Twisters’, a sequel that lovingly pays homage to its predecessor while carving its own unique, highly entertaining path.
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The beloved horror franchise has returned to silence audiences once again with ‘A Quiet Place: Day One’, a sequel that manages to entertain in good measure, but not expand the lore and mythology stemming from the series’ novel concept.
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Thelma is a triumph which any filmmaker would be proud of, made all the more remarkable by the fact that this is director Josh Margolin’s feature film debut but also seeing June Squibb get a chance to play her first leading role at age 94.
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George Miller doesn’t quite return with a vengeance in ‘Furiosa: A Mad Max Saga’ - rather, he brings a seasoned sense of detail and management. The Mad Max franchise has become well known for an exasperated brand of freneticism and unbridled energy rarely captured in blockbuster action cinema as it stands today, and ‘Furiosa’ remains consistent within that.
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Set in the aftermath of Caesar's rule, ‘Kingdom of the Planet of the Apes’ skillfully preserves the franchise’s legacy, advances the narrative, all while creating visual effects that are awe-inspiring.
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Moritz Mohr’s meta-actioner ‘Boy Kills World’ desperately wants to be a cross between Deadpool, Silent Night, and The Hunger Games, but its chosen tropes and tools completely sinks the movie.
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The new team of Ghostbusters has returned to the silver screen to rid New York city of more paranormal entities in ‘Ghostbusters: Frozen Empire’, an entertaining follow-up not without its issues.
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Insanely comedic performances elevate the insanely impressive stunt masterclass of ‘The Fall Guy’ to the point of… well, insanity. Continue for our full SPOILER-FREE review.
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‘Arthur the King’ is arguably the best and most emotional film of the year - a true story about a dog’s resilience, pain, inspiration, life and belief as he goes from abuse and fighting for his life, to finding a family through the roughest conditions that the environment tends to throw at him.
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‘Monkey Man’ is a more human take on the classic revenge driven martial arts genre that escalates into a brutal and bloody triumph for the first time director Dev Patel. Continue for our full SPOILER-FREE review.
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Fresh off the premiere at SXSW 2024, ‘Road House’ is entertaining in spite of a weak script that could have derailed the entire movie if not for great fight sequences and the unbridled chaos that is the films conclusion. Continue for our full SPOILER-FREE review.
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Audiences at last can return to the planet of Arrakis in ‘Dune: Part Two’, a sequel that not only manages to surpass its predecessor in every conceivable way, but cement itself as one of the best sequels ever put to film.
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Sony’s Spider-Man-adjacent universe continues with ‘Madame Web’, yet another messy, empty attempt at creating an extended universe worth getting invested in.
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The DCEU is finally coming to a close with ‘Aquaman and The Lost Kingdom’, a sequel that may not reach the heights of its predecessor, but still delivers an entertaining sendoff for the cinematic universe.
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John Woo strips away dialogue in ‘Silent Night’, and delivers a no-holds-barred actioner that reminds us all why he’s one of action cinema’s greatest image-makers.
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‘The Hunger Games: The Ballad of Songbirds and Snake’ feels like a natural continuation of the Hunger Games cinematic franchise in just about every way, and may even go down as one of the most effective and well-managed prequels of this ilk.
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‘The Marvels’ is one of Marvel’s finest outings in Phase Five, delivering thrills, laughs, heart, and firm, exciting groundwork for the future of this cinematic universe. This may not feel as high-stakes as other films in this phase, but not every entry needs to be.
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Denzel Washington’s Robert McCall returns to the silver screen with his unique brand of justice in ‘The Equalizer 3’, a lacklustre and disappointing conclusion to the action franchise.
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Diehard DC fans should catch ‘Blue Beetle’ simply because it’s a DC heroes’ first feature introduction, and that’s always a big deal. But for the casual moviegoer and superhero cinema fan, this one is too mixed a bag to warrant buying a ticket.
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Director Neil Blomkamp has brought the beloved video game to life with ‘Gran Turismo’, a racing film that should not only please fans of the source material, but adrenaline junkies as well.
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