!['Mass' Review: Fran Kranz's Directorial Debut Shows Us How Even This Divided World Can Begin to Heal [Sundance 2021]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1612223797087-TU5VQ6Z07320GMXTEW2E/Mass.jpg)
Fran Kranz, a great comedian in his own right, has shown the world his adept grasp on the dramatic side of life with his directorial debut, “Mass.”
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It might be contentious among critics, and certainly targets a particular kind of film lover as its audience, but “Malcolm & Marie” is an absolute godsend of a film that demands viewing when it arrives on Netflix this Friday.
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A triumphant success on all fronts, from its animation, to its story, to its jazz-infused otherworldly score, to Jamie Foxx’s expressive and moving lead performance, Pixar’s Soul stands with - perhaps even above - the animation juggernaut’s greatest films.
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“Wonder Woman 1984,” the latest film in the DC Extended Universe, reunites Gal Gadot as the titular Amazonian with co-star Chris Pine and director Patty Jenkins, and finally hits theaters and streaming on HBO Max on Christmas Day 2020.
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While Ma Rainey’s Black Bottom - like the play that inspired it - doesn’t quite capitalize on its opportunity for potent social commentary, this adaptation features incredible performances all around, including a career-best final turn from the late, great Chadwick Boseman that is sure to run as an Oscars favorite.
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Setting aside all of its eyesore-inducing cinematography and wasted cast, cinema’s most blatant attempt yet to capitalize on COVID-19, an action-infused romance set in a nightmare scenario imagined future, can be boiled down to one word: offensive.
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After spending the past few years in the Supporting Role category, Riz Ahmed’s latest performance in Amazon Prime Video “Sound of Metal” pushes him to the Lead and proves, he’s worth the part.
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Absent for the last six years, director and auteur, David Fincher returns with an elegant, cynical look at old-school Hollywood and the parallels to today.
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In “Letter to You”, Bruce Springsteen captures the creation of his latest album with longtime collaborator Thom Zimny. While it might be a bit too reminiscent of their previous film, it also has enough of a different perspective to offer in order to satisfy fans of The Boss.
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Bill Murray turns in yet another delightful performance in his big-screen reunion with Sofia Coppola, and his chemistry with Rashida Jones allows “On the Rocks” to overcome the flaws that become apparent when he isn’t on screen.
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It shouldn’t come as a shock to say that Sacha Baron Cohen, and Borat is the microscope on American society we didn’t know we needed. In fact, we ironically didn’t even know it was coming until it was revealed that Cohen had secretly finished the film last month.
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Even if you don’t have COVID-19, President Trump’s response to the pandemic is enough to make anyone sick. The new documentary, ‘Totally Under Control,’ demonstrates the recent lack of an efficient and cohesive plan of action to stop the spread of Coronavirus from the current President of the United States.
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Shithouse stars 23-Year-Old director and writer Cooper Raiff, who bases the film after his own difficult college experience. The film won the top prize at the 2020 SXSW and is the first glimpse at Gen Z mumblecore.
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Netflix’s “Enola Holmes” is a fresh, pop-feminist spin on the beloved detective genre that is well worth your watch time.
Read More!['Pieces of a Woman' Review: Vanessa Kirby Captivates In This Devastating Portrait Of Grief And Loss [TIFF 2020]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1600467277267-46B1BTXV4YP1EKU41R10/MV5BYzFlNTIxNDAtNTE0NS00OWJlLWI4OGItMTJjZjRlZDYwODQzXkEyXkFqcGdeQXVyODQ3NTUyMDk%40._V1_.jpg)
“Pieces of a Woman” is not for the faint of heart; it’s a truly heartbreaking, intimate, unflinching, and harrowing look at one woman’s unimaginable loss and her process to recovery.
Read More!['Nomadland' Review: An Authentic, Heartfelt Piece of Americana [TIFF 2020]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1600456330373-2YMDPRALFON38KFAAQWT/nomadland-2.jpeg)
Chloe Zhao’s “Nomadland”, based on the novel by Jessica Bruder is the story of a forgotten part of the Boomer generation who has to keep moving to work, and working to live.
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It has the makings of a Victorian horror film, however within writer/director Sean Durkin’s “The Nest”, the horror lies in the modern family dynamic.
Read More!['Concrete Cowboy' Review: A Gift-Horse The Filmmakers Looked In The Mouth [TIFF 2020]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1600447898097-IZWCZ0ZGHSCI1DSFPHR1/Screen%2BShot%2B2020-09-18%2Bat%2B11.56.19%2BAM.jpg)
“Concrete Cowboy” is a story about a forgotten aspect of Black-America which needs to be told. That is why it is such a shame that it gets lost in an otherwise formulaic ‘coming of age’ film for inner-city youth.
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“The Devil All the Time” is the newest Netflix Original psychological thriller starring Tom Holland and Robert Pattinson based on Donald Ray Pollock’s best-selling 2011 novel of the same name.
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“Lost Girls and Love Hotels” perfectly captures the love story that finds you when you need it the most and changes your entire world before leaving you broken. Through a glossy finish, the film shows an upfront & honest look at depression and how some choose to confront that pain.
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