In recent years film has entered a reflective period where there seem to be more and more works that are about looking back and honoring what was. Nic Pizzolatto’s ‘Easy’s Waltz‘ slips right into this milieu, following a down-on-his-luck Las Vegas entertainer, Easy (Vince Vaughn) navigate his way through the Vegas show business.
Read MoreGuillermo del Toro and Toronto have a special relationship, and debuting the filmmaker’s passion project, ‘Frankenstein’, at Toronto’s festival just seems fitting.
Read MoreWhile ‘If I Had Legs I’d Kick You’ may be inconsistent at times, Rose Byrne stuns in role as chaotic and spiralling mother who, despite her best efforts, is trapped in one dark spiritual hole after another.
Read MoreEven for the areligious viewer, Amanda Seyfried’s Ann, her passion and her fervor are tremendously transfixing in Mona Fastvold’s ‘The Testament of Ann Lee’.
Read MoreWhile ‘The Lost Bus’ follows the 2018 Northern California Camp Fire, the prevalence and recency of what seems to be an evermore common occurrence of mass wildfires in California makes the timely release of this project all the more topical.
Read MoreThe sardonic comedy ‘Bad Apples’ plants itself in utter absurdity, and yet, it may be an effective public service announcement for education reform.
Read MoreSkillfully adapted from the minimalist psychological horror video game, Genki Kawamura’s ‘Exit 8’ is an eerily worthy adaptation that truly breaks free of the bad luck surrounding the genre.
Read MoreKleber Mendonça Filho gives us the most important political film of the year with ‘The Secret Agent’, a thriller fluent in both film and political history, with a captivating performance from Wagner Moura anchoring the picture.
Read MoreFrighteningly prescient, renowned documentarian Raoul Peck navigates through generations of fascism with the words of George Orwell.
Read More‘Poetic License’ is sweetheart, laugh-out-loud comedy, well-acted by the entire cast. Taking place on a university campus at the beginning of the Fall semester, is a perfect movie to watch on a cozy autumn day – fresh and unexpectedly great, this isn’t one to miss.
Read MoreÓliver Laxe crafts an unrelentingly cruel picture with the explosive ‘Sirāt’, questioning human morality at the center of his scorching, pulse-pounding thriller.
Read MoreOscar-winning documentarian Daniel Roher makes his narrative debut directing ‘Tuner’ - a film with shades of Michael Mann and Nora Ephron.
Read MoreDirector Aneil Karia readapts Shakespeare’s masterpiece ‘Hamlet’ with Riz Ahmed and a distinctly digital and urban visual landscape.
Read MoreDirector Potsy Ponciroli brings us ‘Motor City’ into the Toronto International Film Festival and the film presents an interesting dynamic - There is almost zero dialogue. While Alan Ritchson, Ben Foster and Shailene Woodley give loud performances, it may not be enough to save this city without sound.
Read MoreDirector David Mackenzie's latest. 'Relay' stars Riz Ahmed in a taut, yet entertaining espionage thriller. [TIFF 24]
Read MoreEvery few years, an animated film hits screens everywhere and children and adults alike, are spellbound. 'The Wild Robot', based on the popular children’s novel of the same name, is undoubtedly one of these films. [TIFF 24]
Read MoreFor 50 years Saturday Night Live has been the bedrock of late night comedy, but the story of its premiere night is apparently crazier than any sketch. Director Jason Reitman brings the rabble of 30-Rock originators back to life in 'Saturday Night'. [TIFF 24]
Read More'Queer', The newest film from auteur Luca Guadagnino is sure to leave audiences entranced with its bold storytelling and impressive performances. [TIFF 24]
Read More'Hard Truths' is a well-constructed film, heralded by a consistent performance from Jean-Baptiste. With interesting characterizations and a unique plot, this film will leave viewers questioning their own habits and grudges. [TIFF 24]
Read MoreDirector Edward Berger's 'Conclave' is the kind of film that is a treat, especially so in the current state of cinema. This mature, grounded, and gripping mid-budget thriller is definitely contemporary, but spiritually feels like something that could have excelled more. [TIFF 24]
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