Movie Reviews — FilmSpeak

'Aftersun' Review: A Tender Glimpse at a Father-Daughter Bond on Vacation [TIFF 2022]

Ultimately, Afterson was one of the best of the Toronto International Film Festival this year, with real performances and raw, honest filmmaking. Filmmaker Charlotte Wells is able to find her own style easily, regardless of this film being her debut feature.

'All Quiet on the Western Front' Review: A Familiar but Welcome War Drama [TIFF 2022]

While the prospect of yet another World War One movie may seem like a put-off to some at initial glance, All Quiet on the Western Front is able to bring an uniquely cinematic experience to the table.

'The Son' Review: Like Father, Not So Much Like Son [TIFF 2022]

If the cast of The Son wasn’t star-studded, it would absolutely be ignored by pundits and audiences alike. This is a disappointing second film from director Florian Zeller, and movie-watchers may be hesitant to trust future projects from him after this sophomore effort.

‘The Banshees of Inisherin’ Review: Only Martin McDonagh Can Make a Madcap Modern Fable Seem So True [TIFF 2022]

Martin McDonagh has crafted a modern day allegory in Banshees of Inisherin - a cinematic yarn that the small town elder tells kids as they ride their bikes through the midtown square. It serves as a lesson about love and loss, and more importantly, the reality of what those mean to those of us who wear our hearts on our sleeve.

‘My Policeman’ Review: Unless You’re a Styles Fan, This Won’t Be Your Policeman [TIFF 2022]

My Policeman, despite what it may hint at, fails to deliver a romance that meets its own storytelling ambition. It tragically leans on a misguided narrative instead of fleshing out the central love story the audience is meant to celebrate, and even the popularity of Harry Styles will not enough to draw in an audience.

'Raymond and Ray' Review: A Heartfelt and Often Funny Two-Handed Drama [TIFF 2022]

Thanks to the terrific lead performances from Ethan Hawke and Ewan McGregor, a solid supporting cast and a sharp screenplay, director Rodrigo Garcia is able to inject humanity into ‘Raymond and Ray’ making it extremely relatable to viewers.

‘Something You Said Last Night’ Review: A Beautifully Understated Vacation Story [TIFF 2022]

Something You Said Last Night is primed to be a gem ripe for discovery coming out of this year’s TIFF Festival, and will hopefully gain an audience and bestow its extremely resonant experience onto the larger film world.

'Decision to Leave' Review: The Master is Back and More Romantic Than Ever [TIFF 2022]

Complete with terrific performances, flawless editing, bewitching cinematography, and a story that will keep you hooked until you wake up the next morning Decision to Leave is everything audiences would expect from director Park Chan-wook.

Festival Review, TIFFTayler WellsSeptember 12, 2022Decision to Leave, Decision to Leave Review, Park Chan-wook, TIFF, TIFF 2022, Tang Wei, Park Hae-ilComment

‘Le Coyote’ Review: No Sophomore Slump for Director Katherine Jerkovic [TIFF 2022]

Le Coyote does not make any large pronouncements on life, and the high stakes revolve only around a single family’s attempt to heal itself. It is a slice of life which countless people endure on a daily basis, and the film’s strengths come from its authenticity and unruffled style, making it one of the most poignant and emotionally genuine films of the year.

'The Swimmers' Review: A Resounding Tale of Hardships and Hope [TIFF 2022]

The Swimmers is a distinctly unique celebration of triumph and success, with a rock-solid emotional core bound to evoke cries, cheers, laughs, and a feeling of hope when the credits start to roll.

Drama, Festival Review, Movie Review, TIFFArjun PersaudSeptember 12, 2022The Swimmers, Review of The Swimmers, TIFF 2022, Netflix, FestivalComment

'Sidney' Review: A Touching Farewell to a Hero of Hollywood [TIFF 2022]

Sidney, produced by Oprah Winfrey, is clearly meant as a loving tribute to Poitier. Some might accuse this project of wearing rose-coloured glasses, but Winfrey probably didn’t make this film for people who might think that way as her love and admiration for Poitier is impossible to doubt.

Biopic, Documentary, Festival Review, TIFFKyle ClimansSeptember 11, 2022Sidney Movie, Movie Review, TIFF 2022, Sidney Poitier, Oprah, Review of SidneyComment

'Biosphere' Review: An Ambitious Tale Of Two Best Friends [TIFF 2022]

Whether you want to laugh or you want to see a sincere story about gender, sexuality, a little bit of magic, and male friendship, actor Marc Duplass’ creation, Biosphere, will help you find a way.

‘The Woman King’ Review: A Knockout of Epic Proportions [TIFF 2022]

Anchored by its fantastic performances, razor-sharp direction, and exhilarating spectacle, The Woman King is a thoroughly exciting epic which packs several punches, and lands its blows, and is worthy of the biggest screen, and crowd, possible.

'Triangle of Sadness' Review: A Reminder to Eat the Rich and Laugh While You Do It [TIFF 2022]

Sometimes Triangle of Sadness can be messy, but that seems to almost be the point. It’s a film that shows we’re all human beings - competitive, selfish, and gross, but more entertainingly, it is director Ruben Östlund at his craziest, his most explicit, his most in-your-face, and audiences are going to love it.

'Pinocchio' Review: A Familiar Tale With No New Magic

Disney has released yet another live-action remake of one of their beloved classic films with Pinocchio, a hollow re-imagining of the revered story that fails to capture any sort of magic. Simply put, watch the original instead and leave this lifeless remake on the shelf to collect dust.

Action Adventure, Animation, ReviewTom ChatalbashSeptember 8, 2022pinocchio, Disney+, Pinocchio 2022, Review of Pinocchio, Tom HanksComment

'Barbarian' Review: A Savage Surprise Sam Raimi Would Be Proud Of

In addition to being funny and horror done right, Barbarian is extremely smart. Where most horror movies like to put monsters on full display, this film is more interested in exploring where those monsters come from.

‘Me Time’ Review: Kevin Hart and Mark Wahlberg Nearly Save Netflix’s Latest Almost-Movie

While Mark Wahlberg and Kevin Hart infuse some much-needed comedic levity in Me Time, its uninspired and unfunny plot makes the case that most Netflix movies aren’t meant to be actively watched.

Comedy, Movie Review, NetflixMaxance VincentAugust 27, 2022Me Time, John Hamburg, Netflix, Movie Review, ComedyComment

'Three Thousand Years of Longing' Review: Your Wish is George Miller's Command

Occasionally, it needs to be restated that Happy Feet, Babe, Lorenzo’s Oil, and the Mad Max series were all directed by the same man. Director George Miller’s resume is astonishing, but while we praise his vision and command of imagery as a director, we cannot ignore he is a truly gifted storyteller. He proves it again with Three Thousand Years of Longing.

'Orphan: First Kill' Review: Welcome Home, Esther

Whether it’s a packed theatre or an overly-giggly sleepover, Orphan: First Kill is far too much fun to experience alone, and seems like a waste to watch at home, as the movie is filled with moments that beg to be seen with a rowdy group. While it still may be months away from the autumn season, this is a great film to snuggle up at home and put on Paramount+.

‘Thirteen Lives’ Review: Ron Howard’s Best Film in Years

Thirteen Lives is Ron Howard’s most enthralling film in years, utilizing an impeccable cinematographer and terrific performances from its star studded cast to establish brilliant claustrophobic tension.

Movie Review, DramaMaxance VincentAugust 13, 2022Thirteen Lives, Movie Review, Ron Howard, Amazon Prime VideoComment