‘Werewolf by Night’ Review: A Howlin' Good Time That Should Set a Marvel Precedent

Werewolf by Night offers a howlin’ good time, and is sure to satisfy comic fans and horror fans alike, making a great case for further adventures into fear within the Marvel universe. As Marvel’s first film under the ‘Special Presentation’ banner, Werewolf should mark the first of many.

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'The Stranger' Review: Netflix's Unapologetically Bleak Thriller Is A Technical Masterclass

Thomas M. Wright’s The Stranger is the latest in a long time of true-crime dramas in Netflix’s extensive catalog, and thanks to the director’s astute eye for detail and dedication to the film’s dark and hopeless atmosphere, it manages to stand out as one of the streaming service’s best.

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'Hellraiser' Review: How David Bruckner Redefines the Clive Barker Classic

David Bruckner’s Hellraiser is a perfect tribute to the Clive Barker original. It proves Bruckner can most certainly work within the landscape of a higher budget without losing any of his charm and trademarks to his filmmaking which makes him so unique and exciting.

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'Dozens of Norths' Review: An Award-winning Ambiguous Art Show [OIAF 2022]

Countless frames within Dozens of Norths are breathtaking and could easily be imagined as separate art pieces hung up in a gallery. The viewer loses themselves in certain moments when the film pauses on a particularly emotional scene – it’s so far removed from what has become mainstream with animation in the most positive way.

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'Silver Bird and Rainbow Fish' Review: A Family Portrait So Personal It Forgets About the Viewer [OIAF 2022]

Silver Bird and Rainbow Fish is a personal portrayal of a family’s memories through stories and photographs, and it is undeniably beautiful, but a little too slow and quiet at times. The experimental nature of this film sometimes enhances its emotional connection to the viewer, while at other times, it hinders it.

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'Unicorn Wars' Review: Gory Violence and War Through The Eyes Of a Teddy Bear [OIAF 2022]

The childish characters so violently portrayed may come off as disorienting to some, but those on the adventurous side may enjoy the depraved Unicorn Wars. Those critics however, might have to look a little deeper at the message behind the film, as it uses extreme violence to show it’s actually against real bloodshed.

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'Bandit' Review: A Paint-By-Number Caper Using Only Primary Colors

Bandit is as simple and bland as its title. The plot is so recycled that the film production probably had a negative carbon footprint. The worst part is it didn’t have to be this boring, and it didn’t have to waste the cast which it had, and yet the only thing this Bandit stole was the time it took to watch the film.

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'The Menu' Review: A Biting Satirical Thriller That Will Give Audiences Something to Taco 'Bout [TIFF 2022]

Regardless of your taste in film, the eclectic ensemble of The Menu gives you something you can sink your teeth into. The script, while perhaps nothing new in terms of premise or political commentary has enough twists and turns and an overall foreboding gloom that makes the film a delicious addition to the thriller genre.

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‘The Fabelmans’ Review: Spielberg’s Magic Touch Makes For Yet Another Masterpiece [TIFF 2022]

While this review certainly sings the praises of Steven Spielberg’s The Fabelmans ad nauseam, it’s very much a film that speaks for itself, and is just an incredible force of sincerity, love, and creativity that simply cannot be missed.

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'Glass Onion: A Knives Out Mystery' Review: A Layered Mystery of Gonzo Proportions [TIFF 2022]

Writer-Director Rian Johnson and Daniel Craig return with another stellar murder mystery with Glass Onion. Like its predecessor, this film boasts many of the same successful feats which lead to Knives Out becoming a franchise - An all-star cast firing on all cylinders, sharp direction, plot twists galore, and a whole lot of fun.

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'The Greatest Beer Run Ever' Review: A Benign Buzzkill [TIFF 2022]

It’s almost ironic the way The Greatest Beer Run Ever wants to talk about the atrocities of war because it can’t decide what it wants to be itself. Marketed as a comedy and shot like a drama, the film is just a glimmer into comedy, drama and war.

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'Women Talking' Review: Confronting The Patriarchy Both Then and Now [TIFF 2022]

Canadian director Sarah Polley brings her adaptation of Miriam Toews’ Women talking to TIFF, telling the story of resilience in the face of danger where a group of women must overcome the society around them.

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