The biggest surprise of 2024 has arrived in ‘Transformers One’, an animated film that delivers the action-packed goods and an emotionally powerful origin story for the iconic Optimus Prime and Megatron.
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!['The Substance' Review: Identity, Fame, and a Ton of Blood [TIFF 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1726011578903-70I6QUVV299W1RPAU4VY/the+substance.jpeg)
An electric body horror that would wake up any viewer, no matter the time of day - 'The Substance' is a must see for horror fans everywhere. Beyond being thematically rich, this film is a thrilling watch, technically strong and heralded by utterly convincing performances. [TIFF 24]
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James Watkins repurposes Christian Tafdrup’s 'Speak No Evil 'for an American audience. Elevated by a strong turn from James McAvoy, the movie sadly makes unfortunate changes to its ending that sink the film’s core terrifying message.
Read More!['Anora' Review: This Pulsating Palme d'Or Winner Is A Singular Marvel [TIFF 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/4135fc96-9d7f-4483-9ef8-5165fd5f4a62/171954.png)
Sean Baker’s 'Anora' is his most explosive film yet. The Palme d'Or winner is part romance, part thriller, with momentum for days. [TIFF 24]
Read More![‘The Life of Chuck’ Review: A Charming Cosmic Study of the Human Spirit [TIFF 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1726013384850-8Q0GVKY3623K5IGP767G/Screenshot_2024_08_28_at_10.01.28_AM.jpeg)
Novelist Stephen King and director Mike Flanagan are both maestros of horror, but ‘The Life of Chuck’ shows the tremendous sensitivity both men have towards life, love and humanity. [TIFF 2024]
Read More!['Nightbitch' Review: Motherhood Can Be Ruff [TIFF 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1725913269938-X3HSJ20HJB8NFQS6LRVR/nightbitch.jpeg)
'Nightbitch' doesn’t quite meet the mark that was originally set by the novel on which it's based, but Amy Adams undeniably delivers a strong performance that will likely be all too relatable. [TIFF 24]
Read More!['Eden' Review: Solid Performances Elevate Ron Howard's Dark Drama [TIFF 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1726445933708-GSZEY38IV4EAFBTW8HKL/Eden-First-Look-02.jpg)
Ron Howard’s latest feature, 'Eden' sees the Oscar winning director helm his darkest film in this star studded true story about island survival filled with tension, camp and lots of pretty faces. [TIFF 24]
Read More!['The Last Showgirl' Review: Aging Femininity Under the Vegas Lights [TIFF 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1725884872472-RFXON02CD8651VTZNH4Z/Last-Showgirl_01.jpg)
'The Last Showgirl' is a floating dream of colors and sequences framing interactions between troubled and frustrated characters. It gives the audience a well-paced glimpse into a unique perspective of age and beauty and the sacrifices made to achieve what may not be worth it at all. [TIFF 24]
Read More!['Oh, Canada' Review: Richard Gere Returns to Tip-Top Form in Paul Schrader's Latest [TIFF 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/bc9bf1d5-6ad3-42ab-8fc7-675b01f2bce0/Slide2.JPG)
Being one of Paul Schrader’s stronger films in recent years, 'Oh, Canada' is sure to satisfy fans of the filmmaker. Its themes of reflection and mortality, mixed with a strong performance from Gere combine to make this a worthy movie watching experience. [TIFF 24]
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While 'His Three Daughters' contains strong performances from its trio of lead actresses, writer/director Azazel Jacobs puts them in cyclical situations that never fully forms an emotional center with the event they’re going through.
Read More!['Presence' Review: Soderbergh Goes Ghostly, With Just Enough Gusto [TIFF 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/801cc5a9-bacb-411a-b22e-39b9c9e21339/Screenshot+2024-09-06+at+11.07.29%E2%80%AFAM.png)
Steven Soderbergh's latest experimental film, 'Presence' can’t escape feeling like a technical exercise, but is an entertaining one at that. [TIFF 24]
Read More!['Rumours' Review: An Audacious Political Comedy For Today's Climate(s) [TIFF 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/3f79dc1c-995f-4751-83bb-d77855aefcae/Rumours.png)
Cate Blanchet, Charles Dance and Alicia Vikander along with Winnipeg's finest directors revel in a satirical look at world leaders and the end of the world in 'Rumours' - a frill-free disaster-comedy. [TIFF 24]
Read More!['Rez Ball' Review: This Surefire Crowd-Pleaser Charts New Ground in the Sports Genre [TIFF 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/ee89247f-2007-44d5-a62e-5229990a082f/Screenshot+2024-08-30+at+12.00.56%E2%80%AFAM.png)
'Rez Ball' is a high-profile sports film which heightens the genre, finding great spirituality in its authentic connections to character and culture. [TIFF 24]
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Aaron Pierre and Don Johnson fiercely lead the action thriller 'Rebel Ridge', which marks director Jeremy Saulnier’s best film yet.
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After three decades, the juice is loose yet again in 'Beetlejuice, Beetlejuice', a sequel that manages to not only maintain the spirit of the beloved original, but dish out a wonderfully macabre new story for hungry fans as well.
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While the contemporary remake of 'The Killer' may not reach the heights of the 1989 original, John Woo’s penchant for visual poetry through action remains unmatched, as he reinterprets his cruel story for a more hopeful, miraculous one.
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While 'Blink Twice' possesses an assured sense of style and is bolstered by impeccable performances from its star-studded cast, the film doesn’t say much about the subject it presents.
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Despite the actors' efforts to elevate the below-par material, 'The Crow' comes off like a goth-themed costume party, rather than paying appropriate tribute to a 90's cult-classic.
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While Mark Wahlberg and Halle Berry have some instance of palpable chemistry, the two can’t save 'The Union' for being nothing more than another cog in the ever-growing Netflix algorithm.
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While Andra Day, Mo’Nique and Aunjanue Ellis-Taylor deliver terrific performances, director Lee Daniels makes the cardinal mistake of turning the strong family drama of 'The Deliverance' into a run-of-the-mill possession flick and never recovers.
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