‘The Pitt’ has never shied away from dealing with real life health issues that are prevalent in North America, but episode 8 takes a look at those who suffer from self-inflicted afflictions and once again reminds us about empathy.
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In what is certainly this season’s most complete episode, “1:00 pm” of ‘The Pitt’ has our beloved Pitt dealing with compiling 4th of July chaos while certain complications come to a head.
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As we reach high noon on this season of ‘The Pitt’ and the sun is directly overhead, the light of episode 6 is shone upon the unsung heroes of the Emergency Department.
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While the early-going pace of ‘The Pitt’s sophomore season seems to be building towards a storm, this episode finds a piece that reminds audiences what’s been missing.
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After last week’s remarkable vignettes of human connection, ‘The Pitt’ slows down again for a relatively uneventful hour.
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We’ve met the new staff, we’ve set the stage for the Fourth of July fireworks, and now in its third episode, ‘The Pitt’ and its sophomore season finds its footing.
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Marvel Studios hasn’t had much success at all on the small screen, sending out new series after new series that always seem, regardless of context, to fail in both their artistic integrity and connection to the cinematic universe. ‘Ironheart’ suffers the same ultimate fate.
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As controversial as ever, ‘The Boys’ only seems blunt because we are seemingly entering a post-satire world. It is increasingly difficult to invent a dystopia which is less ridiculous than reality. Moreover, the show was always a scathing criticism of the society in which it was produced; its quality has not diminished as some people are wont to claim.
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Perhaps the only thing that those who’ve been tuning into ‘The Acolyte’ for the last two months can agree upon is… that it’s officially over. Yes, this week’s finale in the eighth episode of this debut and controversial season.
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Now that we’re past the halfway point of this season of ‘House of the Dragon’, its slow pace is beginning to show signs of dragging. That said, it’s understandable that the show would take a breather after its first major character death of the season.
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Next week will have the final say as the finale of ‘The Acolyte’ looms. Until then, we’ll be counting our blessings in the form of fun fight sequences and neat planet names that pop up in the bottom left corner of the screen. One. More. Week.
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All in all, The Red Dragon and the Gold is an episode for ‘House of the Dragon’. For those who are in the know, the action is unfolding like a tragedy, slowly and deliberately. For those who have no idea what to expect from this series, this episode will be an emotional gut-punch, the first of many more to come before this tale is over.
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At this point, ‘The Acolyte’ does enough for Star Wars fans to warrant the watch, even if just barely, at times. If you’ve made it this far in, either way, you may as well finish it, and that might be the strongest reason we can give you to continue to watch.
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Rising from the ashes of Game of Thrones, it’s safe to say that House of the Dragon has firmly proved its staying power amongst critics and audiences alike. So far, this new season is shaping up to surpass the first one, and possibly Game of Thrones itself. Here’s our review and recap of Episodes 1-3.
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With episode four, we’ve officially reached the halfway point of ‘The Acolyte’. Now is about the time that most folks will form the beginning of some sort of final opinion; even if the mystery is still in-tact, you can sort of see where all this is headed.
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The second entry in the Star Wars ‘Tales’ series delivers a consistent and intriguing look at the corrupting powers of the dark side. Here’s our review and recap of the season.
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The second season of Marvel’s ‘What If…?’ has the chance to serve as an antidote for fans who have soured to the MCU, and as a reminder as well - there are still untapped compelling stories and characters within this universe.
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After this finale, Ahsoka as a whole, remains an enjoyable, yet deeply flawed Star Wars adventure. The show, for better and for worse, is uniquely Dave Filoni. but the show feels to be the most like a true Star Wars adventure, when compared to its Jon Favreau helmed contemporaries.
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With only two episodes left, ‘Ahsoka’ has a lot of ground to cover if the show is to manage a successful “landing", which may leave some fans worried, as Disney+ franchise shows have become known for uprooting any narrative momentum and falling apart.
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After last week’s spiritual journey, the titular Ahsoka takes a backseat in the series’ sixth episode, aptly titled ‘Far, Far Away'.
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