Director Christopher Nolan brings yet another massive movie event to the silver screen with ‘Oppenheimer’, an emotionally explosive and visually dazzling historical drama.
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Ethan Hunt and his team returns to the silver screen yet again in ‘Mission: Impossible: Dead Reckoning Part 1’, a sequel that not only reaches the dizzying heights of its predecessor, but raises the stakes substantially.
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Despite assured performances from Pierce Brosnan, Ellen Barkin, Richard Kind, Julie Hagerty and Michael Rooker, ‘The Out-Laws’ is the year’s most irritating and unfunniest movie.
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Unless you’re an Insidious super-fan, you can safely skip ‘Insidious: The Red Door’. Let’s hope this franchise gets some much needed time behind closed doors; red or otherwise, and lock from the outside.
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If you’re looking for laughs this long weekend - Ashley Park, Sherry Cola, Stephanie Hsu, and Sabrina Wu provide non-stop laughs in ‘Joy Ride’, one of the funniest and most energetic comedies of the year.
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It isn’t always a bad thing to play it safe and deliver perfectly harmless family fun, especially for a studio as weathered as Dreamworks. ‘Ruby Gillman, Teenage Kraken’ almost feels like a pit-stop for the studio, in that it serves as a sufficiently sweet little adventure that does more than enough to warrant buying a ticket.
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As the title suggests, the latest Harrison Ford-led film, ‘Indiana Jones and the Dial of Destiny’ sees Ford return as the iconic veteran archaeologist/adventurer searching for yet another mystic artifact and battle more Nazis.
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‘Asteroid City’ is another triumph for writer/director Wes Anderson, solidifying his status as one of the greatest (and quirkiest) auteurs of our time.
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After a bumpy road to the silver screen, audiences are finally able to see ‘The Flash’, a superhero film that has glimmers of brilliance, but buckles under its own ambition… but at least it has Michael Keaton.
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Ben Kingsley and Barbara Sukowa give impassioned performances in ‘Dalíland’, an otherwise dull film that gives little insight into the mad genius of Salvador Dalí.
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Celine Song’s ‘Past Lives’ is anchored by incredible performances from Greta Lee and Teo Yoo, who bring massive amounts of humanity to their respective characters.
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The Autobots have returned to the silver screen yet again in ‘Transformers: Rise of the Beasts’, a sequel that maintains the refreshing new tone ‘Bumblebee’ established, albeit with diminishing returns.
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Director Rob Savage takes a crack at PG-13 horror in ‘The Boogeyman’, a relatively tame and predictable horror movie featuring a roster of one-note characters and uneventful jump scares.
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All in all, Bones of Crows is a challenging, harrowing portrayal of suffering, but the film does not wallow in that suffering either. The film might one day be considered a time capsule of how things used to be, and its very existence might one day serve as an example of how things eventually got better.
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Ever since Spider-Man: Into The Spider-Verse was released in 2018, animated movies have been held to an entirely new standard. Could it’s highly anticipated sequel Across The Spider-Verse: Part 1 make the comics feel vibrant once again and match the original?
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Joel Edgerton and Quintessa Swindell give career-best performances in Paul Schrader’s ‘Master Gardener’, an otherwise bizarre film that doesn’t really know what it wants to talk about.
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Vin Diesel and his eclectic crew are back for yet another instalment in the beloved ‘Fast and Furious’ franchise in ‘Fast X’ - delivering more of the high octane stunts and emotional stakes fans have come to know and expect.
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Benjamin Millepied’s ‘Carmen’ is a visual marvel, with career-best performances from Melissa Barrera and Paul Mescal giving massive amounts of humanity to its intricate dance sequences.
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‘Guardians of the Galaxy, Vol. 3’ ends the best MCU trilogy on the highest of notes, delivering a surprisingly dark and mature comic book movie with stellar performances from Dave Bautista, Bradley Cooper and Chukwudi Iwuji.
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One cannot deny that ‘Are You There God? It’s Me Margaret’ was made by talented people - both in front of and behind the camera - who were interested in telling a complex story without simple answers.
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