![SXSW Exclusive: 'The Fall Guy' Review: A Hilarious, Stunt-tacular, Popcorn Poppin' Movie of the Year [SXSW 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1710535943501-W7EPGIBRSACJDIOV3L72/SXSW%2B24.TheFallGuy.1.jpg)
Insanely comedic performances elevate the insanely impressive stunt masterclass of ‘The Fall Guy’ to the point of… well, insanity. Continue for our full SPOILER-FREE review.
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‘Arthur the King’ is arguably the best and most emotional film of the year - a true story about a dog’s resilience, pain, inspiration, life and belief as he goes from abuse and fighting for his life, to finding a family through the roughest conditions that the environment tends to throw at him.
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Don’t go in expecting to be blown away, and ‘Damsel ‘ should do just fine. Just make sure you’ve got your plot-armor, and possibly a few glow worms for safe measure, too.
Read More![SXSW EXCLUSIVE: 'Monkey Man' Review: A Brutal and Bloody Directorial Debut [SXSW 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1711570588306-TF0RN459IQ9AIYFA7EJI/SXSW%2B24.MonkeyMan.2.jpg)
‘Monkey Man’ is a more human take on the classic revenge driven martial arts genre that escalates into a brutal and bloody triumph for the first time director Dev Patel. Continue for our full SPOILER-FREE review.
Read More![SXSW EXCLUSIVE: 'Y2K' Review: Doing Fine In An Apocalyptic 1999 [SXSW 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1710382011324-VAFSDFC6E731Q2EXSX63/SXSW%2B24.Y2K.jpg)
SNL alum Kyle Mooney brings a 90’s teen disaster high-school comedy that is pretty rad… I guess. Continue for our full review exclusively from the 2024 SXSW Film Festival.
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‘Kung Fu Panda 4’ is a great addition to the beloved franchise, providing a balanced mix of entertainment and emotional depth. With the engaging plot and captivating visuals, this movie is an unforgettable journey that will leave the audience in awe.
Read More![‘Road House’ Review: Jake’s Take is Worthy Enough [SXSW 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1709669421266-UPFLS52T5I422FACP8Q9/RH.2.jpg)
Fresh off the premiere at SXSW 2024, ‘Road House’ is entertaining in spite of a weak script that could have derailed the entire movie if not for great fight sequences and the unbridled chaos that is the films conclusion. Continue for our full SPOILER-FREE review.
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Amazon does it again with yet another comedic ride in ‘Ricky Stanicky’ - A movie filled with endless laughter, ribald jokes and an excellent supporting cast.
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Perhaps just when we needed a film like this, enter Netflix’s Spaceman - a deceivingly simple drama that does more than drink and dribble. Questions of love, time and space, and redemption float aimlessly among the cinematic stars, away from a grounded Adam Sandler who may have just delivered his best performance yet.
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Audiences at last can return to the planet of Arrakis in ‘Dune: Part Two’, a sequel that not only manages to surpass its predecessor in every conceivable way, but cement itself as one of the best sequels ever put to film.
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‘Drive-Away Dolls’ if nothing else, is a mindless B movie through and through. That’s not a bad thing in and of itself, but it will surely polarize audiences. Yet, considering that the film was made in the 2020s, is set in the 90s, and boasts a style which evokes the 70s, it achieves a level of kitsch that is rarely reached.
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Sony’s Spider-Man-adjacent universe continues with ‘Madame Web’, yet another messy, empty attempt at creating an extended universe worth getting invested in.
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While Lashana Lynch’s supporting portrayal of Rita Marley breathes life into ‘Bob Marley: One Love’, Reinaldo Marcus Green’s latest biopic joins the pantheon of empty spectacles designed to sell records.
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Just in time for Valentine’s Day, director Zelda Williams has brought audiences ‘Lisa Frankenstein’, a quirky, charming throwback that is destined for cult classic status.
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Nikolaj Arcel’s ‘The Promised Land ‘ contains one of Mads Mikkelsen’s greatest performances inside an old-school, but always riveting, character drama.
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‘Argylle’ desperately wants to be a crowd pleaser as it attempts to convince the masses of Matthew Vaughn’s brand of kinetic action and whiplash-style storytelling. Yet falls far behind all his previous work in all manners of deliverance, struggling to succeed on any of the same levels as the best of his work.
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While ‘The Kitchen’s sociopolitical underpinnings could’ve used more meat around the bone, its technical direction from Daniel Kaluuya coupled with lead performances from Kane Robinson and Jedediah Bannerman make it a worthwhile watch.
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It’s clear what director Martin Scorsese wanted to do with ‘Killers of the Flower Moon’. The film makes audiences privy to the cold-blooded conversations between the men who murdered dozens in the name of single-minded greed, which makes it an important story to tell.
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While ‘The Book of Clarence’ boasts great lead performances and a terrific sense of style, its thematic underpinnings through its theological setting are all surface-level, unafraid to question anything it unevenly presents.
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Illumination’s ‘Migration’ is a harmless, breezy bit of entertainment that cares more about its characters than it had to in order to succeed. Occasionally a bore, often dry, but give Migration a chance on a big screen.
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