Guillermo del Toro and Toronto have a special relationship, and debuting the filmmaker’s passion project, ‘Frankenstein’, at Toronto’s festival just seems fitting.
Read MoreFor Channing Tatum fans, this is definitely not a film to miss – as always, he is a standout as his natural charisma brings a lot of life to ‘Roofman’ and makes the film more than worthwhile. Other audience members may not be convinced.
Read MoreWhile ‘If I Had Legs I’d Kick You’ may be inconsistent at times, Rose Byrne stuns in role as chaotic and spiralling mother who, despite her best efforts, is trapped in one dark spiritual hole after another.
Read MoreEven for the areligious viewer, Amanda Seyfried’s Ann, her passion and her fervor are tremendously transfixing in Mona Fastvold’s ‘The Testament of Ann Lee’.
Read MoreThe sardonic comedy ‘Bad Apples’ plants itself in utter absurdity, and yet, it may be an effective public service announcement for education reform.
Read MoreSkillfully adapted from the minimalist psychological horror video game, Genki Kawamura’s ‘Exit 8’ is an eerily worthy adaptation that truly breaks free of the bad luck surrounding the genre.
Read MoreKleber Mendonça Filho gives us the most important political film of the year with ‘The Secret Agent’, a thriller fluent in both film and political history, with a captivating performance from Wagner Moura anchoring the picture.
Read MoreFrighteningly prescient, renowned documentarian Raoul Peck navigates through generations of fascism with the words of George Orwell.
Read MoreOscar-winning documentarian Daniel Roher makes his narrative debut directing ‘Tuner’ - a film with shades of Michael Mann and Nora Ephron.
Read MoreDirector Aneil Karia readapts Shakespeare’s masterpiece ‘Hamlet’ with Riz Ahmed and a distinctly digital and urban visual landscape.
Read More'The Conjuring: Last Rites’ just doesn't come together in concept or on the page, and the film falls well short as a result. If you’re a fan of this franchise, it may be worth checking out to see the Warrens slow dance into the sunset. Otherwise, this is a wash of an experience at the cinemas.
Read MoreDirector Potsy Ponciroli brings us ‘Motor City’ into the Toronto International Film Festival and the film presents an interesting dynamic - There is almost zero dialogue. While Alan Ritchson, Ben Foster and Shailene Woodley give loud performances, it may not be enough to save this city without sound.
Read MoreBecause director Francis Lawrence is such a storied visual artist, ‘The Long Walk’ can mostly overcome its shoddily written screenplay as it continuously coddles the audience through a slow paced stroll of Stephen King’s first work.
Read MoreAlex Russell eviscerates our social media-obsessed era with the riveting and often terrifying ‘Lurker’, thanks to incredible turns from Théodore Pellerin and Archie Madekwe.
Read MoreThanks to an assured sense of style and magnifying performances from its core cast, Michael Angelo Covino’s ‘Splitsville’ manages to stay afloat, despite a cyclical structure that makes some of its funnier beats less impactful.
Read MoreThanks to a captivating performance by Margaret Qualley and an assured sense of style and hyper-violence, Ethan Coen manages to make ‘Honey Don’t!’ a memorable affair, even if it continuously stumbles along the way.
Read MoreSpike Lee’s adapts Akira Kurosawa’s original with ’Highest 2 Lowest’ - undoubtedly the best remake of his career, anchored by another magnifying lead turn from Denzel Washington, who continues to prove why he’s the greatest to have ever done it.
Read More‘Freakier Friday’ is Disney’s best theatrical live-action release in ages, thanks in no small parts to the ineffable charm of both Lindsay Lohan and Jamie Lee Curtis.
Read MoreDirector Akiva Schaffer uses his comedic sensibilities to revive the police squad for 80 minutes of non-stop laughs in ‘The Naked Gun’.
Read MoreWhile Ilya Naishuller remains a cogent action artist who knows how to frame and shoot a succession of kinetically exciting sequences, everything around the action in his latest, ‘Heads of State’, falls incredibly flat.
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