Shithouse stars 23-Year-Old director and writer Cooper Raiff, who bases the film after his own difficult college experience. The film won the top prize at the 2020 SXSW and is the first glimpse at Gen Z mumblecore.
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After not receiving a nomination for Best Actor at the 2020 Oscars Adam Sandler vowed to make the worst movie that has ever existed. Hubie Halloween is not that film, but it’s still not that great. Struggling to find its target audience Hubie is mixed bag of genuine heartfelt moments and poop jokes that make you regret opening up the Netflix app.
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Under the intricately crafted script and blessing of the story’s original playwright, the late Matt Crowley, “The Boys in the Band” magnifies the lives of eight gay men (and one “straight” one) inside a flaming powder keg of a birthday party.
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Netflix’s “Enola Holmes” is a fresh, pop-feminist spin on the beloved detective genre that is well worth your watch time.
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“Pieces of a Woman” is not for the faint of heart; it’s a truly heartbreaking, intimate, unflinching, and harrowing look at one woman’s unimaginable loss and her process to recovery.
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Chloe Zhao’s “Nomadland”, based on the novel by Jessica Bruder is the story of a forgotten part of the Boomer generation who has to keep moving to work, and working to live.
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It has the makings of a Victorian horror film, however within writer/director Sean Durkin’s “The Nest”, the horror lies in the modern family dynamic.
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“Concrete Cowboy” is a story about a forgotten aspect of Black-America which needs to be told. That is why it is such a shame that it gets lost in an otherwise formulaic ‘coming of age’ film for inner-city youth.
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“The Devil All the Time” is the newest Netflix Original psychological thriller starring Tom Holland and Robert Pattinson based on Donald Ray Pollock’s best-selling 2011 novel of the same name.
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“Lost Girls and Love Hotels” perfectly captures the love story that finds you when you need it the most and changes your entire world before leaving you broken. Through a glossy finish, the film shows an upfront & honest look at depression and how some choose to confront that pain.
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“Get the Hell Out” is a Taiwanese horror-comedy from director I-Fan Wang that premiered this weekend at the Toronto International Film Festival (TIFF).
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Disney’s newest live-action remake, “Mulan”, falls short of its animated predecessor. Though having important films and strong mainstream representation, the film trips over its technical flaws and lack of originality.
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‘Bleeding Audio’ documentary about pop punk band ‘The Matches’ is a beautiful homage to the band and their fans from director Chelsea Christer.
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“The New Mutants” from director Josh Boone is a film that has become one of the most anticipated movies in recent years purely because of the drama and rumors that circulated around its many pushbacks.
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Charlie Kaufman, everyone’s favorite emperor of existential crises is back with the Netflix release of his latest film, “I’m Thinking of Ending Things”; and this time, he takes no prisoners.
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After watching “Tenet,” I’m not sure how Christopher Nolan’s brain truly functions. Is it on a different wavelength to everyone else’s? I’m not sure, but he’s taken his love of testing his audience with time-bending puzzles to the next level—a level I didn’t even expect Nolan to reach…for better or worse.
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'Tesla' is a quirky mess of a film that nonetheless deserves a watch. The experiment isn’t a success, but the film would make the oddball inventor proud.
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Netflix’s latest original movie, “Project Power,” has plenty of powers, but never manages to be super. Most of the movie is competent, but it’s hard to heap too much praise on a film that tees itself up for success and still bungles it’s shot.
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“Spree” follows a day in the life of rideshare driver and wannabe social media influencer, Kurt Kunkle (Joe Keery from “Stranger Things”) on his ride to viral stardom.
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The SpongeBob Movie: Sponge on the Run continues the streak of fun, sun-soaked nautical nonsense adding some much-needed sunshine to an otherwise dreary summer movie season all while taking the franchise to new heights.
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