In addition to being funny and horror done right, Barbarian is extremely smart. Where most horror movies like to put monsters on full display, this film is more interested in exploring where those monsters come from.
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While Mark Wahlberg and Kevin Hart infuse some much-needed comedic levity in Me Time, its uninspired and unfunny plot makes the case that most Netflix movies aren’t meant to be actively watched.
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Occasionally, it needs to be restated that Happy Feet, Babe, Lorenzo’s Oil, and the Mad Max series were all directed by the same man. Director George Miller’s resume is astonishing, but while we praise his vision and command of imagery as a director, we cannot ignore he is a truly gifted storyteller. He proves it again with Three Thousand Years of Longing.
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Whether it’s a packed theatre or an overly-giggly sleepover, Orphan: First Kill is far too much fun to experience alone, and seems like a waste to watch at home, as the movie is filled with moments that beg to be seen with a rowdy group. While it still may be months away from the autumn season, this is a great film to snuggle up at home and put on Paramount+.
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Thirteen Lives is Ron Howard’s most enthralling film in years, utilizing an impeccable cinematographer and terrific performances from its star studded cast to establish brilliant claustrophobic tension.
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J.J. Perry’s Day Shift may not be anything new or original, but it ends up being a memorable balls-to-the-walls vampire-action film that’s best experienced with a group of people (or in a midnight screening.
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The Predator has returned to our screens, more specifically our television screens with Hulu’s Prey, a prequel that manages to not only return the franchise to its roots successfully, but reinvigorate it in the process as well.
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Nope is larger in scale than Jordan Peele’s previous films and he feels very in command of what he wants to create. While it doesn’t reach the same heights as his previous , there is still something thrilling about seeing where Peele’s mind will take the audience next. Here’s our review.
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Fresh off directing one of the biggest blockbusters in history, Anthony and Joe Russo team up with Netflix, Ryan Gosling and Chris Evans for the streamer’s most expensive attempt at a franchise hopeful to date.
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The God of Thunder has returned in director Taika Waititi’s highly anticipated Asgardian sequel, Thor: Love and Thunder. Fortunately, fans of the brawny hero will not be disappointed with this colorful, hilarious, and heartfelt entry into the ever-expanding MCU.
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The impact which the late Leonard Cohen left upon the arts is impossible to doubt. Yet even in Cohen’s impressive catalog, there is no song which left such an impression as the song “Hallelujah.” Its journey is explored and covered in the documentary Hallelujah: Leonard Cohen, a Journey, a Song.
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Overall, ELVIS is more of a look into his life and career from a certain perspective than the traditional biopic, but it works so seamlessly to combine all the things that one could possibly want from a picture about the King. Baz Luhrmann’s glitzy, glamorous, and colorful style makes for an exciting, emotional, and visually spectacular film.
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The Black Phone leaves a lot to be desired and it is good to see director Scott Derrickson back in his horror element, trying to craft something that haunt us long after we have left the theatre. But with a muddled script and uneven performances, this is a middle of the road horror film that could’ve been so much more but ends up being fine in the most disappointing fashion.
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Cooper Raiff’s Cha Cha Real Smooth is that good, even if it isn’t perfect. A couple of predictable beats prevent it from soaring the way it should, but with fantastic performances from its leads, and the film’s sharp script, it can be counted as one of the best comedies this year.
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After a series of Pixar movies only streaming to your home, the perennial hit-maker is finally returning to the big screen with Lightyear, a spinoff of the beloved Toy Story franchise. This spin on the franchise, while exciting, also doesn’t justify its existence despite the entertainment value it brings to the table.
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The Jurassic era is unfortunately coming to end with Jurassic World: Dominion. The long awaited conclusion to the most recent dino-trilogy may not be a perfect film, but it certainly serves as a fitting end for the franchise, while also still leaving the door open for future stories.
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In Terence Davies’s Benediction, led by a confident performance by Jack Lowdon, the film explores the life of one of Britain’s most famed poets, and what it is like when the talents of this time face a crisis that shakes them to their core and motivates them to create works of art that move us all.
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After 36 long years and multiple delays, a sequel to Top Gun is finally hitting theaters. Not only is Top Gun: Maverick worth the agonizing wait for fans, but it’s also one of the best blockbuster films ever made, full stop.
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Memoria’s ephemeral nature makes it a one-of-a-kind cinematic experience, even if the movie itself feels incomplete, through a series of very loud noises. Having said this, seeing Memoria in a movie theater is definitely an experience unlike any other and was tailor-made for complete cinematic engulfment.
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With Doctor Strange In The Multiverse of Madness, director Sam Raimi makes his MCU debut, resulting in a wild, visually stunning film that pushes the boundaries of its characters and world into exciting new territory.
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