Posts in Movie Review
‘The Banshees of Inisherin’ Review: Only Martin McDonagh Can Make a Madcap Modern Fable Seem So True [TIFF 2022]

Martin McDonagh has crafted a modern day allegory in Banshees of Inisherin - a cinematic yarn that the small town elder tells kids as they ride their bikes through the midtown square. It serves as a lesson about love and loss, and more importantly, the reality of what those mean to those of us who wear our hearts on our sleeve.

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‘Something You Said Last Night’ Review: A Beautifully Understated Vacation Story [TIFF 2022]

Something You Said Last Night is primed to be a gem ripe for discovery coming out of this year’s TIFF Festival, and will hopefully gain an audience and bestow its extremely resonant experience onto the larger film world.

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‘Le Coyote’ Review: No Sophomore Slump for Director Katherine Jerkovic [TIFF 2022]

Le Coyote does not make any large pronouncements on life, and the high stakes revolve only around a single family’s attempt to heal itself. It is a slice of life which countless people endure on a daily basis, and the film’s strengths come from its authenticity and unruffled style, making it one of the most poignant and emotionally genuine films of the year.

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'Biosphere' Review: An Ambitious Tale Of Two Best Friends [TIFF 2022]

Whether you want to laugh or you want to see a sincere story about gender, sexuality, a little bit of magic, and male friendship, actor Marc Duplass’ creation, Biosphere, will help you find a way.

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‘The Woman King’ Review: A Knockout of Epic Proportions [TIFF 2022]

Anchored by its fantastic performances, razor-sharp direction, and exhilarating spectacle, The Woman King is a thoroughly exciting epic which packs several punches, and lands its blows, and is worthy of the biggest screen, and crowd, possible.

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'Three Thousand Years of Longing' Review: Your Wish is George Miller's Command

Occasionally, it needs to be restated that Happy Feet, Babe, Lorenzo’s Oil, and the Mad Max series were all directed by the same man. Director George Miller’s resume is astonishing, but while we praise his vision and command of imagery as a director, we cannot ignore he is a truly gifted storyteller. He proves it again with Three Thousand Years of Longing.

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'Hallelujah: Leonard Cohen, a Journey, a Song' Review: It Will Mean Exactly as Much as it Means to You

The impact which the late Leonard Cohen left upon the arts is impossible to doubt. Yet even in Cohen’s impressive catalog, there is no song which left such an impression as the song “Hallelujah.” Its journey is explored and covered in the documentary Hallelujah: Leonard Cohen, a Journey, a Song.

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‘The Black Phone’ Review: A Promising Premise is Wasted Due to Bloated Performances and Pace

The Black Phone leaves a lot to be desired and it is good to see director Scott Derrickson back in his horror element, trying to craft something that haunt us long after we have left the theatre. But with a muddled script and uneven performances, this is a middle of the road horror film that could’ve been so much more but ends up being fine in the most disappointing fashion.

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'Benediction' Review: Terence Davies's Latest is a Somber Glance at the Pain Put Into Creating Art

In Terence Davies’s Benediction, led by a confident performance by Jack Lowdon, the film explores the life of one of Britain’s most famed poets, and what it is like when the talents of this time face a crisis that shakes them to their core and motivates them to create works of art that move us all.

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‘Memoria’ Review: Apichatpong Weerasethakul’s Latest Film is Very, Very, Loud

Memoria’s ephemeral nature makes it a one-of-a-kind cinematic experience, even if the movie itself feels incomplete, through a series of very loud noises. Having said this, seeing Memoria in a movie theater is definitely an experience unlike any other and was tailor-made for complete cinematic engulfment.

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'Memory' Review: Ironically, It Won’t Take Long to Forget This Film

Liam Neeson’s newest ‘thriller’, Memory is an adaptation of a well-regarded Belgian film, which is itself an adaptation of a book entitled De zaak Alzheimer. While the subject matter of the film could have been something thrilling, edgy or entertaining, it becomes abundantly clear, when adapting the story from its Belgian roots… Something must have gotten lost in the translation.

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