‘The First Omen’ is a traditional prequel in the way that it unfortunately fails to justify its own existence, falling into the busy chasm of efforts long lost, doomed to the same fate.
Read MoreWhile ‘The Old Oak’ isn’t as powerful as Ken Loach’s previous two films, its lead performances from Dave Turner and Ebla Mari intensify its dramatic impact and result in a must-see.
Read More‘Godzilla x Kong: The New Empire’, despite its hiccups, is a rare experience at the movies. There is something so irresistible about these beasts and the incredulity of their world that demands seeing it on the biggest screen possible.
Read MoreThe new team of Ghostbusters has returned to the silver screen to rid New York city of more paranormal entities in ‘Ghostbusters: Frozen Empire’, an entertaining follow-up not without its issues.
Read MoreWith a magisterial lead performance from Deniz Celiloğlu and an ever-gripping visual style, Nuri Bilge Ceylan’s 197-minute ‘About Dry Grasses’ may be the best film of his career.
Read More‘Love Lies Bleeding’ knows exactly what it is doing, even if the audience won’t predict where the story goes. The filmmakers make bold swings, whether through the film’s story, its performances, or its imagery, which creates a film that could only be described as ‘fearless’.
Read MoreInsanely comedic performances elevate the insanely impressive stunt masterclass of ‘The Fall Guy’ to the point of… well, insanity. Continue for our full SPOILER-FREE review.
Read More‘Arthur the King’ is arguably the best and most emotional film of the year - a true story about a dog’s resilience, pain, inspiration, life and belief as he goes from abuse and fighting for his life, to finding a family through the roughest conditions that the environment tends to throw at him.
Read MoreWhile ‘Immaculate’ won’t go down as a horror classic, it won’t harm Sydney Sweeney’s rising star like her last release almost did. In fact, the film had potential that it just couldn’t reach due to the lack luster writing. Continue for our full SPOILER-FREE review.
Read MoreDon’t go in expecting to be blown away, and ‘Damsel ‘ should do just fine. Just make sure you’ve got your plot-armor, and possibly a few glow worms for safe measure, too.
Read More‘Monkey Man’ is a more human take on the classic revenge driven martial arts genre that escalates into a brutal and bloody triumph for the first time director Dev Patel. Continue for our full SPOILER-FREE review.
Read MoreSNL alum Kyle Mooney brings a 90’s teen disaster high-school comedy that is pretty rad… I guess. Continue for our full review exclusively from the 2024 SXSW Film Festival.
Read More‘Kung Fu Panda 4’ is a great addition to the beloved franchise, providing a balanced mix of entertainment and emotional depth. With the engaging plot and captivating visuals, this movie is an unforgettable journey that will leave the audience in awe.
Read MoreFresh off the premiere at SXSW 2024, ‘Road House’ is entertaining in spite of a weak script that could have derailed the entire movie if not for great fight sequences and the unbridled chaos that is the films conclusion. Continue for our full SPOILER-FREE review.
Read MoreAmazon does it again with yet another comedic ride in ‘Ricky Stanicky’ - A movie filled with endless laughter, ribald jokes and an excellent supporting cast.
Read MorePerhaps just when we needed a film like this, enter Netflix’s Spaceman - a deceivingly simple drama that does more than drink and dribble. Questions of love, time and space, and redemption float aimlessly among the cinematic stars, away from a grounded Adam Sandler who may have just delivered his best performance yet.
Read MoreAudiences at last can return to the planet of Arrakis in ‘Dune: Part Two’, a sequel that not only manages to surpass its predecessor in every conceivable way, but cement itself as one of the best sequels ever put to film.
Read More‘Drive-Away Dolls’ if nothing else, is a mindless B movie through and through. That’s not a bad thing in and of itself, but it will surely polarize audiences. Yet, considering that the film was made in the 2020s, is set in the 90s, and boasts a style which evokes the 70s, it achieves a level of kitsch that is rarely reached.
Read MoreSony’s Spider-Man-adjacent universe continues with ‘Madame Web’, yet another messy, empty attempt at creating an extended universe worth getting invested in.
Read MoreWhile Lashana Lynch’s supporting portrayal of Rita Marley breathes life into ‘Bob Marley: One Love’, Reinaldo Marcus Green’s latest biopic joins the pantheon of empty spectacles designed to sell records.
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