‘The Secret Agent’ Review: Kleber Mendonça Filho’s Lesson in Film and Political History [TIFF 25]

Kleber Mendonça Filho gives us the most important political film of the year with ‘The Secret Agent’, a thriller fluent in both film and political history, with a captivating performance from Wagner Moura anchoring the picture.

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'Poetic License' Review: Hoffman Steals The Show in Sweet Campus Comedy [TIFF 25]

‘Poetic License’ is sweetheart, laugh-out-loud comedy, well-acted by the entire cast. Taking place on a university campus at the beginning of the Fall semester, is a perfect movie to watch on a cozy autumn day – fresh and unexpectedly great, this isn’t one to miss.

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'The Conjuring: Last Rites' Review: Horror Finale Fails to Scare in Sendoff

'The Conjuring: Last Rites’ just doesn't come together in concept or on the page, and the film falls well short as a result. If you’re a fan of this franchise, it may be worth checking out to see the Warrens slow dance into the sunset. Otherwise, this is a wash of an experience at the cinemas.

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Motor City Review: A Revenge Tale in Need of More Drive [TIFF 25]

Director Potsy Ponciroli brings us ‘Motor City’ into the Toronto International Film Festival and the film presents an interesting dynamic - There is almost zero dialogue. While Alan Ritchson, Ben Foster and Shailene Woodley give loud performances, it may not be enough to save this city without sound.

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‘The Long Walk’ Review: A Minor Work from Lawrence

Because director Francis Lawrence is such a storied visual artist, ‘The Long Walk’ can mostly overcome its shoddily written screenplay as it continuously coddles the audience through a slow paced stroll of Stephen King’s first work.

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'Caught Stealing' Review: Aronofsky Gets Grungy

After catapulting Brendan Fraser to his first Academy Award, Director Darren Aronofsky has his sights set on further showcasing Austin Butler’s versatility in Caught Stealing, a wonderfully grungy tale of crime and chaos in 90’s NYC.

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