Unsettling and emotionally effective all the same, ‘Bring Her Back’ is a very solid horror-thriller, which has no shortage of stunning emotional beats and set-pieces, merging together into one of the year’s finest so far.

Tom Cruise embarks to complete his most challenging mission yet in ‘Mission: Impossible - The Final Reckoning’, the seemingly final installment in the long-running, beloved franchise that packs plenty of emotional and visceral punch for the action-hungry fans of the series. Here's our review:

Josh Hartnett fueled widespread conversation last year with his performance in the M. Night Shyamalan thriller ‘Trap’. So, following a polarizing performance such as that one, what is an actor to do next? Star in the B-movie action thriller ‘Fight or Flight’ and dye your hair blonde.

Bolstered by Tim Robinson's amazing talent, Andrew DeYoung’s ‘Friendship’ is designed to make audiences as uncomfortable as possible during sequences of massive embarrassment that are as aesthetically thrilling as they are painfully hilarious.

All we have to say about ‘Clown in a Cornfield’ is keep the clowns away. They’re always going to be scary - whether they haunt or nightmares or they’re simply a poor suggestion on your playlist.

Thanks to the effervescent chemistry from Anna Kendrick and Blake Lively, alongside a story that knows it shouldn’t take itself too seriously, Paul Feig makes his first good movie since ‘A Simple Favor’ with the sequel ‘Another Simple Favor’.

The MCU recipe goes back to a more organic flavor in ‘The Thunderbolts’, making for their strongest film in years.

While no one can deny the intricate puppetry of ‘The Legend of Ochi’, Isaiah Saxon’s directorial debut is a frequently grating, listless carbon copy of better, more poignant family adventures, without any personal voice behind the images that the director unabashedly steals from.

While ‘On Swift Horses’ boasts compelling performances from its star-studded cast, the film’s lack of identity makes it difficult for audiences to latch onto its story and thematic underpinnings.

While Amalia Ulman’s dexterity and strong cast practically save ‘Magic Farm’ from being a total disaster, the movie still leaves some areas to be desired.

For the first time in a long time, a Sony Pictures adaptation, specifically the video game adaptation of ‘Until Dawn’, appeared to bear at least some semblance of hope from the outside looking in. It didn’t happen.

After nine years, Christian Wolff has made his long-awaited return to the silver screen in ‘The Accountant 2’, a wildly different sequel that should not only please fans of the original, but the uninitiated as well.

While the surface level of ‘The Shrouds’ may appear complex, the film’s constant wrestling with the director’s own mortality ensures it will be remembered as one of David Cronenberg’s most engrossing efforts.

Rami Malek shines in ‘The Amateur’, as the Oscar-winning actor delivers a performance in this action-thriller that feels tailor-made for him.

While James Griffiths’ The Ballad of Wallis Island does not reinvent the wheel, it illustrates a moving portrait of grief with three devastating performances at the core of the movie.

While Peter Cattaneo’s The Penguin Lessons contains a memorable lead turn from Steve Coogan, one can’t wash the foul taste the film leaves with its ill-conceived trivialization of Argentina’s Dirty War.

Despite a well-mounted cast and one of the best cinematographers working today contributing to the project, Alex Scharfman’s ‘Death of a Unicorn’ is yet another bad film from a studio that is in desperate need of reinvention.

Disney has brought yet another live-action version of one of their classic, beloved stories to the silver screen in ‘Snow White’, a re-imagining that like its predecessors, fails to re-capture the magic of the animated original.

While The Actor doesn’t reach its high ambitions, Duke Johnson’s surreal thriller mostly works thanks to a highly committed and nuanced performance from André Holland.

Mark Anthony Green’s ‘Opus’ recycles the aesthetics and tropes A24 has firmly established itself upon and may accidentally reveal that their brand of “elevated” independent entertainment has grown stale after over a decade of films on the big screen.