Olivia Wilde’s latest directorial effort ‘The Invite’ is just as hilarious as it is impressive, making for one of the year’s best.

The chaotic Minions are back for the third instalment in their franchise with ‘Minions & Monsters’, a surprisingly charming adventure that lovingly pays homage to the golden age of Hollywood.

Short, sweet, and blending the old with the new, ‘Jackass: Best and Last’ is less swan song and more victory lap. Longtime fans and new viewers alike will find a lot to appreciate in this theatrical riot.

James Gunn’s DCU continues to broaden its horizons with director Craig Gillespie’s ‘Supergirl’, a flawed, but highly entertaining punk rock superhero film that continues to pave a bright future for this extended universe.

John Early’s convincing performance as ‘Maddie’s Secret's titular character saves a rather perplexing experience that doesn’t know whether to fully lean into its satirical provocations or seriously explore the protagonist’s secret.

After a seven year hiatus, Woody and the gang are back on the big screen in ‘Toy Story 5’. Though this sequel is timely in its exploration of toys versus technology, this is ultimately an entertaining, but unnecessary new installment.

Despite a committed performance from Mila Al-Zahrani, Haifaa al-Mansour’s ‘Unidentified’ takes a rather irresponsible turn near its final five minutes, which sinks the entire proposition from the acclaimed Saudi filmmaker.

Beyond the title telegraphing what happens to the titular character, when the credits roll for ‘The Death of Robin Hood’, it’s hard to say that anything new has been learned, or even meaningfully accomplished with the iconic character.

Despite solid performances and a potent message, Adrian Chiarella’s ‘Leviticus’ begins to fall apart as soon as its mechanics contradict themselves.

Steven Spielberg and the sci-fi genre has proven to be a match made in heaven for decades. Fortunately, this continues to be a winning combination in ‘Disclosure Day’, a spellbinding sci-fi adventure that continues to show the beloved director operating at the height of his powers.

Despite solid performances from Samara Weaving and Kyle Gallner, alongside an assured sense of style, Adam Carter Rehmeier’s ‘Carolina Caroline’ doesn’t have much to offer beyond its obvious inspirations.

Ol Parker’s latest romantic comedy, ‘Office Romance’, is frequently bizarre and, in many respects, painfully unfunny. However, once Jennifer Lopez and Brett Goldstein are paired together, it’s pure movie magic.

After laying dormant for over a decade, the beloved spoof franchise is back in the hands of the Wayans brothers once again. Unfortunately, ‘Scary Movie’ is a dated, deeply underwhelming return for the comedy series.

After years in development hell, ‘Masters Of The Universe’ is finally hitting theatres from director Travis Knight and this new iteration is worth the wait, delivering a candy-coated cosmic adventure that is sure to entertain passionate fans and non-fans alike.

Kane Parsons breaks into the Hollywood scene by adapting his own ‘Backrooms’ YouTube series into a surprisingly intelligent and aesthetically thoughtful feature film.

While ‘Ladies First’ boasts a fun cast, the movie’s morals are even more dated and regressive than its French-language 2018 original.

It’s hard to believe it’s been seven years since a Star Wars film has launched into theaters, but that’s about to change with ‘The Mandalorian And Grogu’, an entry into the long-running franchise that is thankfully an adventure worthy of the big screen that offers plenty of galactic fun for the whole family. 

After a three year absence, writer/director John Carney returns with his latest film ‘Power Ballad’. Though this music film may not be pitch perfect, it strikes a lot of the right chords.

Despite a solid cast and assured photography, Olivier Assayas fails to meet the moment with ‘The Wizard of the Kremlin’, delivering a complete nothingburger that has no idea what it wants to say about the figures it presents.