While brief, Makoto Ueda crafts a highly playful meta-comedy with ‘You Are the Film’ and awakens our innate love of cinema as a unifying art form.

Refn, the renowned Danish auteur’s returns with his first feature film in a decade, coupled with his signature impressionism in ‘Her Private Hell’.

Jane Schoenbrun tackles a lot in ‘Teenage Sex and Death at Camp Miasma’ that it almost feels like it’s going to collapse in on itself, until it doesn’t and opens up in ways you never expected from the outset.

In yet another display of Christopher Nolan’s ambition, this latest film adaptation of ‘The Odyssey’ marks a new high in Nolan’s already impressive filmography.

While Mark Jenkin continues his signature visual language and draws career-best performances from Callum Turner and George MacKay, the overall experience of ‘Rose of Nevada’ confounds more than it illuminates.

Olivia Wilde’s latest directorial effort ‘The Invite’ is just as hilarious as it is impressive, making for one of the year’s best.

The chaotic Minions are back for the third instalment in their franchise with ‘Minions & Monsters’, a surprisingly charming adventure that lovingly pays homage to the golden age of Hollywood.

While imperfect in its structure, Carla Simón manages to pull us into a devastating portrait of a young woman searching for the truth amid a fractured family with ‘Romería’.

Short, sweet, and blending the old with the new, ‘Jackass: Best and Last’ is less swan song and more victory lap. Longtime fans and new viewers alike will find a lot to appreciate in this theatrical riot.

James Gunn’s DCU continues to broaden its horizons with director Craig Gillespie’s ‘Supergirl’, a flawed, but highly entertaining punk rock superhero film that continues to pave a bright future for this extended universe.

John Early’s convincing performance as ‘Maddie’s Secret's titular character saves a rather perplexing experience that doesn’t know whether to fully lean into its satirical provocations or seriously explore the protagonist’s secret.

After a seven year hiatus, Woody and the gang are back on the big screen in ‘Toy Story 5’. Though this sequel is timely in its exploration of toys versus technology, this is ultimately an entertaining, but unnecessary new installment.

Despite a committed performance from Mila Al-Zahrani, Haifaa al-Mansour’s ‘Unidentified’ takes a rather irresponsible turn near its final five minutes, which sinks the entire proposition from the acclaimed Saudi filmmaker.

Beyond the title telegraphing what happens to the titular character, when the credits roll for ‘The Death of Robin Hood’, it’s hard to say that anything new has been learned, or even meaningfully accomplished with the iconic character.

Despite solid performances and a potent message, Adrian Chiarella’s ‘Leviticus’ begins to fall apart as soon as its mechanics contradict themselves.

Steven Spielberg and the sci-fi genre has proven to be a match made in heaven for decades. Fortunately, this continues to be a winning combination in ‘Disclosure Day’, a spellbinding sci-fi adventure that continues to show the beloved director operating at the height of his powers.

Despite solid performances from Samara Weaving and Kyle Gallner, alongside an assured sense of style, Adam Carter Rehmeier’s ‘Carolina Caroline’ doesn’t have much to offer beyond its obvious inspirations.

Ol Parker’s latest romantic comedy, ‘Office Romance’, is frequently bizarre and, in many respects, painfully unfunny. However, once Jennifer Lopez and Brett Goldstein are paired together, it’s pure movie magic.

After laying dormant for over a decade, the beloved spoof franchise is back in the hands of the Wayans brothers once again. Unfortunately, ‘Scary Movie’ is a dated, deeply underwhelming return for the comedy series.

After years in development hell, ‘Masters Of The Universe’ is finally hitting theatres from director Travis Knight and this new iteration is worth the wait, delivering a candy-coated cosmic adventure that is sure to entertain passionate fans and non-fans alike.