Derek Drymon’s name is one that longtime SpongeBob watchers have undoubtedly seen pop up on their favorite episodes. Now as director of ‘The SpongeBob Movie: Search For SquarePants’, not only did he deliver a fun film, but one in the same vein as the cartoon’s glory days.
Read More‘Marty Supreme’, which marks Josh Safdie’s solo directorial debut is equal parts ambitious and assured, making for one of the best films of the year.
Read MoreKaouther Ben Hania’s docu-fiction hybrid ‘The Voice of Hind Rajab’ is a difficult but necessary document of the atrocities still occurring to this day in Gaza, and, most importantly, the individual human stories no one is currently talking about.
Read MoreJames Cameron offers another lesson in blockbuster filmmaking with the daring ‘Avatar: Fire and Ash’, through three hours of dazzling mythopoetic images that remind you what all great art should strive to achieve.
Read MoreWhile Bryan Fuller’s ‘Dust Bunny’ bristles with an imaginative visual style and an intriguing world to explore, it’s often bogged down by unimpressive CGI theatrics, despite Mads Mikkelsen and Sophie Sloan attempting to hold the fort.
Read MoreWhile Brendan Fraser gives an impassioned performance in ‘Rental Family’, the movie itself is not as heartwarming as it sets out to be.
Read MoreWhile ‘Eternity’ boasts a compelling concept, the movie’s repetitive structure leaves much to be desired as it trudges through a predictable conclusion with little to no emotional impact.
Read MoreWith ‘The Mastermind’, the great American filmmaker Kelly Reichardt delivers a tremendous film - one efficiently controlled in its aesthetics and humor, anchored by Josh O’Connor performance.
Read MoreJon M. Chu and his eclectic cast return to the magical world of Oz to deliver what amounts to nothing but an overly infantile and ultimately dishonest adaptation of its source material in ‘Wicked for Good’.
Read MoreOz Perkins has yet to make something worthwhile in the opinion of our Maxance Vincent, but with his sixth feature, ‘Keeper’, the film could be the worst project he has ever helmed.
Read MoreNetflix animation aims to deliver another refreshing crowd-pleaser with ‘In Your Dreams’, a refreshing and heartfelt family film about dreams, nightmares and everything in between.
Read MoreWriter/Director Edgar Wright is back at it again, this time tackling a remake of ‘The Running Man’, based on the beloved Stephen King novel of the same name. What on paper seemed like a match made in heaven, unfortunately results in an action-packed letdown.
Read MoreWhile ‘Nuremberg’ boasts a strong cast and admirable intentions, the bizarre choices it makes along the way turn what could’ve been a thought-provoking drama into a hollow and trite object.
Read More‘Nouvelle Vague’ may be Avengers: Endgame for the Cahiers du Cinéma crowd, but the film is devoid of any substance beyond the aesthetic recreations of one of the most groundbreaking motion pictures that forever changed cinema.
Read MoreJoachim Trier offers a profoundly affecting meditation on the healing – and life-affirming – power of art in ‘Sentimental Value’, anchored by a devastatingly brilliant Renate Reinsve, who gives this year’s most soulful performance.
Read MoreJennifer Lawrence gives the best performance of her career in Lynne Ramsay’s ‘Die My Love’. However, the fragmented structure of the movie may prove alienating for audiences, especially as it purposefully antagonizes at almost every turn.
Read MoreJoel Edgerton delivers his best performance to date in Clint Bentley’s ‘Train Dreams’, a complex and emotionally powerful elegy for a lost soul searching for meaning in a life that has left him and the contributions he made to society behind.
Read MoreSydney Sweeney and Ben Foster are spectacular in David Michôd’s ‘Christy’, but that’s about all this tediously generic sports-biopic has going for it.
Read MoreDirector Bradley Cooper has decided to scale things back for his third feature film ‘Is This Thing On?’, a tender and often very funny comedy that makes great use of its talented cast and emotionally accessible story.
Read More‘Springsteen: Deliver Me from Nowhere’ may be the worst biopic of the decade thus far. Inert in ways that few movies on “tortured artists” are, the movie is entirely disinterested on the singer’s struggles with depression and the making of his ultimate masterpiece.
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