Tom Holland’s wall-crawler is back on the big screen yet again in ‘Spider-Man: Brand New Day’, an installment that is not only the best entry in the series yet, but one of the best Spider-Man films - period.
Read More
![‘I Love Paris’ Review: The Next Great Mockumentary is Here [Fantasia 2026]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/4772d746-367b-4799-abbf-2a9bc24fab5d/HERO+2.png)
Thanks to its committed performances and an impeccably controlled aesthetic palette, director Nicky Murphy gives us a mockumentary for the ages in ‘I Love Paris’, which can even put What We Do In the Shadows to shame.
Read More![‘Corpus’ Review: Corrin Evans’ Debut is a Strikingly Indecipherable Object [Fantasia 2026]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1785335889824-Q05IHONBOOKOMZGOEZ91/Vince_in_Club.png)
While not without its flaws, filmmaker Corrin Evans strikes the screen with the aesthetically invigorating and thematically rich ‘Corpus’, one of the major highlights of this year’s Fantasia Cheval Noir section.
Read More![‘You Are the Film’ Review: Makoto Ueda’s Meta-Comedy is a Hoot [Fantasia 2026]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1785177838773-47LL9CWHB74YRZ0OK2O8/You_Are_the_Film_-_main.jpg)
While brief, Makoto Ueda crafts a highly playful meta-comedy with ‘You Are the Film’ and awakens our innate love of cinema as a unifying art form.
Read More
Refn, the renowned Danish auteur’s returns with his first feature film in a decade, coupled with his signature impressionism in ‘Her Private Hell’.
Read More![‘Teenage Sex and Death at Camp Miasma’ Review: Schoenbrun Deconstructs Slasher Cinema In This Brilliantly Subversive Satire [Fantasia 2026]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1784662765796-KY8296NFFDX4JXTYCDM0/CampMiasma_Still_1_MUBI.jpg)
Jane Schoenbrun tackles a lot in ‘Teenage Sex and Death at Camp Miasma’ that it almost feels like it’s going to collapse in on itself, until it doesn’t and opens up in ways you never expected from the outset.
Read More
In yet another display of Christopher Nolan’s ambition, this latest film adaptation of ‘The Odyssey’ marks a new high in Nolan’s already impressive filmography.
Read More
While Mark Jenkin continues his signature visual language and draws career-best performances from Callum Turner and George MacKay, the overall experience of ‘Rose of Nevada’ confounds more than it illuminates.
Read More
Olivia Wilde’s latest directorial effort ‘The Invite’ is just as hilarious as it is impressive, making for one of the year’s best.
Read More
The chaotic Minions are back for the third instalment in their franchise with ‘Minions & Monsters’, a surprisingly charming adventure that lovingly pays homage to the golden age of Hollywood.
Read More
While imperfect in its structure, Carla Simón manages to pull us into a devastating portrait of a young woman searching for the truth amid a fractured family with ‘Romería’.
Read More
Short, sweet, and blending the old with the new, ‘Jackass: Best and Last’ is less swan song and more victory lap. Longtime fans and new viewers alike will find a lot to appreciate in this theatrical riot.
Read More
James Gunn’s DCU continues to broaden its horizons with director Craig Gillespie’s ‘Supergirl’, a flawed, but highly entertaining punk rock superhero film that continues to pave a bright future for this extended universe.
Read More
John Early’s convincing performance as ‘Maddie’s Secret's titular character saves a rather perplexing experience that doesn’t know whether to fully lean into its satirical provocations or seriously explore the protagonist’s secret.
Read More
After a seven year hiatus, Woody and the gang are back on the big screen in ‘Toy Story 5’. Though this sequel is timely in its exploration of toys versus technology, this is ultimately an entertaining, but unnecessary new installment.
Read More
Despite a committed performance from Mila Al-Zahrani, Haifaa al-Mansour’s ‘Unidentified’ takes a rather irresponsible turn near its final five minutes, which sinks the entire proposition from the acclaimed Saudi filmmaker.
Read More
Beyond the title telegraphing what happens to the titular character, when the credits roll for ‘The Death of Robin Hood’, it’s hard to say that anything new has been learned, or even meaningfully accomplished with the iconic character.
Read More
Despite solid performances and a potent message, Adrian Chiarella’s ‘Leviticus’ begins to fall apart as soon as its mechanics contradict themselves.
Read More
Steven Spielberg and the sci-fi genre has proven to be a match made in heaven for decades. Fortunately, this continues to be a winning combination in ‘Disclosure Day’, a spellbinding sci-fi adventure that continues to show the beloved director operating at the height of his powers.
Read More
Despite solid performances from Samara Weaving and Kyle Gallner, alongside an assured sense of style, Adam Carter Rehmeier’s ‘Carolina Caroline’ doesn’t have much to offer beyond its obvious inspirations.
Read More